Devil-Worship in France; or, The Question of LuciferWaite, Arthur Edward
Religion
Devil-Worship in France; or, The Question of Lucifer
Waite, Arthur Edward
Satanism
After this compact, he wrote the "Open Entrance," the original MS. of
which, together with its autograph Luciferian interpretation on the
broad margins, is a precious heirloom in the family. Some two years
later, in the course of his travels, he reached New England, where he
dwelt for a month among the Lenni-Lennaps, and there in an open desert,
on a clear night of summer, while the moon was shining in splendour, he
was wandering in solitary meditation when the luminary in question,
which was in the crescent phase, came down out of heaven, and proved to
be an arched bed, very luminous and wonderful, containing a vision of
sleeping female beauty. This was the nuptial couch of Thomas Vaughan and
its occupant was Venus-Astarte, surrounded by a host of flower-bearing
child-spirits, who conveniently provided a tent, and provided also
delicious meals during a period of eleven days. Several curious
particulars differentiated these Hermetic nuptials, undreamed of by
Christian Rosencreutz, from those which govern more ordinary proceedings
below the latitude of the Lenni-Lennaps. In the first place, goddess
succubus, Astarte provided the ring, which was of red gold enriched with
a diamond, and placed it on the finger of her lover; in the second
place, transcendental gestation, celestial or otherwise, fulfils the
mystery of generation with exceeding despatch, for Astarte was delivered
of an infant on the eleventh day independently of medical assistance,
whereupon she demanded the return of the nuptial ring, and vanished with
tent and sprites astride of the crescent couch. The fruit of their union
was left in the arms of Thomas, who was directed to trample on all
sentiments of paternal affection, and to deliver the child into the
charge of a tribe of fire-worshipping Indians. He does not appear to
have sued for the restitution of conjugal rights, and cheerfully
surrendered the human hybrid to a family of Lenni-Lennaps, together with
his medallion portrait drawn by an artist from devildom, so that the
daughter might recognise her father after the method which obtains among
novelists. Thomas Vaughan placed the broad ocean between himself and the
scene of his marriage, and he never re-visited his daughter, who, in
spite of her miraculous origin, does not appear to have distinguished
herself in any way, at least up to the point at present reached by the
history.
Miss Vaughan says that all the Elect Magi do not accept this legend of
the blood royal, and she admits her own doubts subsequent to her
conversion. As an article of intellectual faith I should prefer the
birth-story of Gargantua, but it satisfied Miss Vaughan till the age of
thirty years, and her father and grandfather before her, even supposing
that it was _fabriquee par mon bisaieul James, de Boston_, as hazarded
by elect Magi whom a remnant of reason hinders.
Public-domain text, read in full here on John Shaqi.
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