From Mary Tavy a road runs nearly parallel to the river. Beyond Horndon the houses are fewer and more scattered, and somehow there is a suggestion that one is coming nearer and nearer to the verge of civilization. The few houses look nice in themselves, with the exception of a farm, so cheerless and neglected-looking, that it was a surprise to find it inhabited; and not far beyond this house the road reaches another and very different farm, looking full of comfort--and goes no farther. This farm has the significant name of Lane End, and one realizes from its solitary, exposed position that the high and substantial wall surrounding it was built for sound reasons. It stands on the moor, and the cultivation is of the roughest kind; the fields, such as they are, being plentifully sprinkled with huge boulders. In winter, when there is much fear of snow, these fields serve as an enclosure for the ponies that are driven-in off the moor--looking like wild animals in their long, hanging, furry coats. The river is heard dashing over the rocks below, and about a mile farther on is Tavy Cleave. The last time I saw it a vague threat hung over everything, adding a cold fascination to the moor. The hills showed tints of faint green and palest brown, and patches of bracken gave a consoling shade of russet. Hare Tor rose beyond, silent and impressive, covered with snow. The Tavy had a new beauty, for it was almost frozen over, and the dark water, and along whirling scraps of foam, showed between the blocks of ice and snow, and the boulders were each bordered with shining white. The sky was heavy with snow-clouds, and beneath them and in the rifts were stormy red sunset tints, while a cold blue-grey mist was creeping up the valley. There are some places--the Castle of Elsinore, for instance--that seem to have an amazing and incomprehensible gift of resisting civilization. They may be brought up to date, and trimmed, and filled with inappropriate people, and everything else done that should spoil them, but in spite of it all they do not for a moment look as if any modern extraneous objects had a meaning for them. They belong to their own day and its manner, and to no other. The same sort of feeling hovers about Tavy Cleave, and a great sense of the mystery that here more, there less, broods over the moor. But there is no suggestion as to who it is that the moor has most truly and absolutely belonged to, nor even the region of time: only the feeling that the valley is, in a finer than the usual sense, haunted.