Devon, Its Moorlands, Streams and CoastsNorthcote, Rosalind
History
Devon, Its Moorlands, Streams and Coasts
Northcote, Rosalind
Devon (England)
'All who have travelled through the delicious scenery of North Devon
must needs know the little white town of Bideford, which slopes upwards
from its broad tide-river paved with yellow sands, and many-arched old
bridge, where salmon wait for autumn floods, toward the pleasant upland
in the west. Above the town the hills close in, cushioned with deep
oak-woods, through which juts here and there a crag of fern-fringed
slate; below they lower and open more and more on softly rounded knolls
and fertile squares of red and green, till they sink into the wide
expanse of hazy flats, rich salt-marshes, and rolling sand-hills, where
Torridge joins her sister Taw, and both together flow quietly toward the
broad surges of the bar and the everlasting thunder of the long Atlantic
swell.'
It is difficult to imagine that there could be a more fitting
description of Bideford than that drawn in the opening words of
'Westward Ho!' Bideford, it has been said, is spoilt by ugly modern
houses, but the remark implies a matter-of-fact view, for the ugliness
and modernness are only skin-deep, and can easily be ignored. A matter
of far greater importance is that there is an old-world essence, a
dignity in the whole tone and spirit of the town, that keep it in touch
with the glorious past.
Faithful followers of the heroes on the borderland of myth--King Arthur,
Charlemagne, Holger Danske--believed that in their country's need these
would arise from the shades to lead their people to victory; and at
Bideford one feels that, should any 'knight of the sea' return, he would
find a town not strange to him, and, if the stress were sharp enough to
pierce the thin husk that later civilization has added, a people who
would understand and not fail him.
The name comes from By-the-ford, but a ford between East-the-water and
the town must have been rather perilous, and only possible at low-tide.
In the early part of the fourteenth century some of the chief
inhabitants resolved to build a bridge, but several efforts were made in
vain, for they were always thwarted by failure to find a firm enough
foundation. Then Sir Richard Gurney, priest of the place, was
'admonished by a vision ... to begin that excellent work ... where he
should find a stone fixed in the ground.' This dream he thought nothing
of, 'until, walking by the river, he espied such a stone or rock there
rolled and fixed firmly, which he never remembered to have seen
formerly,' and was hereby convinced 'that his dream was no other than an
heavenly inspiration.' The whole neighbourhood combined to help, the
rich sending money and lending the services of their workmen, and the
poor giving such time and labour as they could afford. The bridge, which
has since been widened, is a very fine one, of twenty-four arches.
Westcote says: 'A bark of 60 tons (without masts) may pass and repass
with the tide, which flows near five miles above it.'
Public-domain text, read in full here on John Shaqi.
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