But the desolate moor as seen from this point, the bleak winds, and very frequent rain, brought cold comfort to the French prisoners of war, on whose account the prison was built. Their views are probably reflected in a gloomy description of Princetown, traducing the climate, which was given by a French writer, quoted by Mr R. J. King. 'For seven months in the year,' says a M. Catel, 'it is a vraie Siberie, covered with unmelting snow. When the snows go away, the mists appear.' The lot of the French prisoners, however, was tempered by certain alleviations, and very many of them were allowed to live on parole in specified towns, most of which are near the moor. In 1813 a large number of American prisoners of war were added to the eight thousand French at Princetown, but for some reason were not at first allowed the same privileges. This may help to account for the aggrieved tone in which one of them refers to his French fellow-prisoners, as well as to the British. Andrews wrote a journal which was afterwards published. 'The Seigneurs,' he says, 'received remittances from their friends or had money of their own, and were able to support themselves in a genteel manner.' They were allowed to have plays with a stage and scenery once a month, and also 'had their schools for teaching the arts and sciences, dancing, fencing, and fiddling.' He criticises them severely: 'They drink, sing and dance,' and, with a fine allusion to emphasise his point, declares: 'But the Americans have not that careless volatility, like the cockle in the fable, to sing and dance when the house is on fire over them.' The French were released after the abdication of Napoleon; a year later, peace was signed between England and America, and then, till 1850, the buildings were unoccupied. In that year the decision was made that they should be used as a convict prison, and as a result, one must agree with Sir Frederick Pollock, it 'is the ugliest thing physically and morally on the moor.' It is pleasanter to turn back to the moor itself--to topics less out of character with it. Foremost appear stories of magic, black and white, ancient beliefs and legends without end. Mr King, whose knowledge of the country was at once vast and minute, is quoted as having said 'that he believed almost every form of superstition or superstitious observances condemned in the Penitential of Bartholomew, Bishop of Exeter, 1161-1184, might be found sheltering itself under the Dartmoor Tors.' (This remark must have been made about the middle of the nineteenth century.) 'The same wild creed has been handed down from generation to generation; the same spots on the lonely moor, and the same gloomy pools in the river, that were shunned by his forefathers, are avoided as "critical" (to use his own word) by the Devonshire peasant now ... and whoever may find himself in the heart of its lonely wastes when daylight is closing, and the air seems to fill with