Hitherto he had not so much as dreamed of poetry, but his first attempt was on the occasion of a person who had undertaken to paint a sign for an inn; it was to have been a lion, but the artist had produced a creature much more like a dog. One of his acquaintances wrote some lines on it. Gifford looked them over, shook his head, and said that he thought that he could do better. Accordingly he composed an epigram on the theme, so cutting and droll that his shopmates declared he had succeeded in a masterly manner. After that he ventured on other attempts--doggerel, he says they were, but all caustic and humorous, and these circulated, were laughed over, and gained him not a little applause. When he had composed some brief little satire he would read it to a select circle, and was rewarded by the gift of a few pence, amounting occasionally to sixpence. Did he write also a few tender and grateful lines to the pretty, smiling girl on the doorstep in the same street, who had cheered the lonely boy? I have not the smallest doubt in my mind that he did. To one so long in absolute want of money, such a resource seemed like a gold-mine, and although at this time he thought lightly, even contemptuously of the Muse, and all his energies of mind were devoted to mathematics, yet, as these trifles brought him in money, and so enabled him to buy paper and ink, and books on geometry and algebra, he continued to compose verses. But a storm was gathering. There is a delightful picture by Phiz in _David Copperfield_, where Mr. Creakle, the schoolmaster, enters the schoolroom leaning on the arm of his factotum Tungay, just as a boy has drawn a caricature of both on the blackboard. Inevitably some of the keen shafts of Gifford’s ridicule had been levelled at his master, the cobbler. This man laid himself open to being satirized. He possessed a dictionary of synonyms; and it was his practice never, when he could avoid it, to employ a direct word when he could find a roundabout mode of expressing himself; a weeding with him would be a _runcation_, and to ride would be to _equitate_. It was not in human nature that William Gifford should withhold his hand from turning out some neat lines taking off the sanctimonious and pretentious cobbler, and so revenging himself for slights and insults many. It is not in human nature that he should refrain from showing this product to his fellow apprentices. It is not in human nature that some sneak among them should not apprise the master or that master’s son of what the sullen, discontented lad had done.