Dialogues of the DeadLyttelton, George Lyttelton, Baron
Philosophy
Dialogues of the Dead
Lyttelton, George Lyttelton, Baron
Dialogues, English -- Early works to 1800; Imaginary conversations
_Pope_.--That he excelled his competitor in the particulars I have
mentioned, can't, I think, be denied. But yet the spirit and the majesty
of ancient Rome were never so well expressed as by Corneille. Nor has
any other French dramatic writer, in the general character of his works,
shown such a masculine strength and greatness of thought. Racine is the
swan described by ancient poets, which rises to the clouds on downy wings
and sings a sweet but a gentle and plaintive note. Corneille is the
eagle, which soars to the skies on bold and sounding pinions, and fears
not to perch on the sceptre of Jupiter, or to bear in his pounces the
lightning of the god.
_Boileau_.--I am glad to find, Mr. Pope, that in praising Corneille you
run into poetry, which is not the language of sober criticism, though
sometimes used by Longinus.
_Pope_.--I caught the fire from the idea of Corneille.
_Boileau_.--He has bright flashes, yet I think that in his thunder there
is often more noise than fire. Don't you find him too declamatory, too
turgid, too unnatural, even in his best tragedies?
_Pope_.--I own I do; yet the greatness and elevation of his sentiments,
and the nervous vigour of his sense, atone, in my opinion, for all his
faults. But let me now, in my turn, desire your opinion of our epic
poet, Milton.
_Boileau_.--Longinus perhaps would prefer him to all other writers, for
he surpasses even Homer in the sublime; but other critics who require
variety, and agreeableness, and a correct regularity of thought and
judgment in an epic poem, who can endure no absurdities, no extravagant
fictions, would place him far below Virgil.
_Pope_.--His genius was indeed so vast and sublime, that his poem seems
beyond the limits of criticism, as his subject is beyond the limits of
nature. The bright and excessive blaze of poetical fire, which shines in
so many parts of the "Paradise Lost," will hardly permit the dazzled eye
to see its faults.
_Boileau_.--The taste of your countrymen is much changed since the days
of Charles II., when Dryden was thought a greater poet than Milton!
Public-domain text, read in full here on John Shaqi.
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