Dialogues of the DeadLyttelton, George Lyttelton, Baron
Philosophy
Dialogues of the Dead
Lyttelton, George Lyttelton, Baron
Dialogues, English -- Early works to 1800; Imaginary conversations
_Boileau_.--In this respect our stage is far preferable to yours. It is
a school of morality. Vice is exposed to contempt and to hatred. No
false colours are laid on to conceal its deformity, but those with which
it paints itself are there taken off.
_Pope_.--It is a wonderful thing that in France the comic Muse should be
the gravest lady in the nation. Of late she is so grave, that one might
almost mistake her for her sister Melpomene. Moliere made her indeed a
good moral philosopher; but then she philosophised, like Democritus, with
a merry, laughing face. Now she weeps over vice instead of showing it to
mankind, as I think she generally ought to do, in ridiculous lights.
_Boileau_.--Her business is more with folly than with vice, and when she
attacks the latter, it should be rather with ridicule than invective. But
sometimes she may be allowed to raise her voice, and change her usual
smile into a frown of just indignation.
_Pope_.--I like her best when she smiles. But did you never reprove your
witty friend, La Fontaine, for the vicious levity that appears in many of
his tales? He was as guilty of the crime of debauching the Muses as any
of our comic poets.
_Boileau_.--I own he was, and bewail the prostitution of his genius, as I
should that of an innocent and beautiful country girl. He was all
nature, all simplicity! yet in that simplicity there was a grace, and
unaffected vivacity, with a justness of thought and easy elegance of
expression that can hardly be found in any other writer. His manner is
quite original, and peculiar to himself, though all the matter of his
writings is borrowed from others.
_Pope_.--In that manner he has been imitated by my friend Mr. Prior.
_Boileau_.--He has, very successfully. Some of Prior's tales have the
spirit of La Fontaine's with more judgment, but not, I think, with such
an amiable and graceful simplicity.
_Pope_.--Prior's harp had more strings than La Fontaine's. He was a fine
poet in many different ways: La Fontaine but in one. And, though in some
of his tales he imitated that author, his "Alma" was an original, and of
singular beauty.
_Boileau_.--There is a writer of heroic poetry, who lived before Milton,
and whom some of your countrymen place in the highest class of your
poets, though he is little known in France. I see him sometimes in
company with Homer and Virgil, but oftener with Tasso, Ariosto, and
Dante.
Public-domain text, read in full here on John Shaqi.
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