British -- Italy -- Fiction; Rich people -- Fiction; Single women -- Fiction
The curate deluded himself with no such vain hopes. Diana’s presence was
like the sun to him. Without it he faded and drooped, though otherwise
he was not much like a flower. He was a heavy Englishman, not clever or
endowed with much insight, yet he had a heart in his capacious and
clumsy bosom. And to those who possess that organ, some things are
visible which genius itself, without it, could scarcely see. It has been
said that Pandolfini had chosen the ponderous silent young Englishman as
the object of his special bounties, having divined him, and the
sentiment which was his soul. It was young Snodgrass’s turn now to
divine his friend, and he did it sadly, with a true brotherly, friendly
sorrow for the evil he had discovered. He was not contented with the
plea of business which Sophy accepted, and which all the others had to
accept. He sought the much-occupied bridegroom out, even in the depths
of his dark palace, and resisted all attempts to send him away. “I will
wait till you are ready,” he said, and pretended not to see what
miserable pretence of work it was which his friend at last pushed away.
He got him out against Pandolfini’s will, who went with him, as was
evident, only to get rid of him the sooner. But the curate was not to be
shaken off. He went again and again; he watched with all the anxiety of
friendship. He perceived how little Pandolfini saw of his bride, and how
eagerly he seized upon every excuse to avoid being with her. He saw
how, when the bridegroom paid the hurried visits which necessity
demanded, Diana avoided him, and that under no circumstances did these
two see each other, who, when he left Pisa, had been meeting every
night. And, above all, the curate saw the misery in Pandolfini’s eyes.
He said nothing for a long time, for he was not quick of purpose, or
ready to seize what could be done; but at length the spectacle became
too much for the good-hearted fellow.
They were walking one night by the Arno, very silent, saying nothing to
each other. It was after a half-hour spent with the Nortons: Pandolfini
had apparently caught at the chance of the curate’s company to carry him
through this visit--and though Snodgrass was not quick of observation,
he could not but remark, having his attention roused and on the alert,
the curious character of the scene of which he was a spectator.
Pandolfini was not indifferent; nothing of the ease and calm of that
unexcited condition was in the anxious pathetic tender apology of the
tone in which he replied to Sophy’s little _espiègleries_ and
reproaches. “Are you always to be so drowned in business--always
business? you never had any business when we knew you first,” she cried,
pouting. He looked at her with a melancholy in his eyes which went to
the curate’s heart: but it did not succeed in reaching the observation
of Sophy, who had other things to think of than the looks of her
betrothed: he was her property, and about him she entertained no doubt.
Public-domain text, read in full here on John Shaqi.
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