British -- Italy -- Fiction; Rich people -- Fiction; Single women -- Fiction
“I am very glad you have come,” she said, in answer to his stammered
salutation, “for I was feeling lonely, which is not usual with me.
Everybody whom I know gone--and our little friends upstairs are very
busy, of course,” she added, with a smile.
The curate had not time to think, as he probably would have done
otherwise, that the idea of these little friends neglecting Diana was
incredible. His mind was too full of his mission, which filled his
homely countenance with purpose and eagerness. Diana saw this almost
before she had completed what she was saying. She added hastily, in a
different tone, “Something has happened--you have come to tell me of
something? Is it news from home?”
“No,” he said: “Miss Trelawny, perhaps it is something quite foolish or
more; but you understand--and you will pardon me if I am wrong.
Pandolfini--he is in a condition I cannot understand.”
“Is he ill?” He thought she grew paler, and clasped her hands together
as if something moved her.
“No, not that I know of: except that he is haggard and worn--a shadow of
himself. It is about this--marriage.”
Diana had made a step towards him with warm and anxious interest at
Pandolfini’s name. She now drew back again, a cloud falling over her.
She did not make any reply, but only shook her head, and her countenance
grew very grave, the smile, which was always lurking somewhere, ready to
be called forth, fading altogether from her face.
“You will do nothing, Miss Trelawny, you who help every one! and yet how
few are in such trouble? For you must see how unsuitable it is--how it
is killing him.”
“Hush!” said Diana, as Pandolfini had said before; “if it is going to
be, nothing unkind must be said--nothing it would hurt us or them to
think of hereafter. And it is not for us to discuss,” she said, with a
slight faltering in her voice; “they only can tell----”
“But, Miss Trelawny, it is not for gossip, nor in the way of intrusion
into other people’s affairs. But, Pandolfini, he has read my heart, and
now I feel that I can read his,” said the curate, stammering and growing
red. Must not she know what he meant in both cases? She stood with her
hands clasped, her head drooping, but no consciousness about her,
thoughtful, and almost sorrowful, as if she knew all that he would say.
“Oh, Miss Trelawny,” he cried, with generous zeal, “could not you
interfere? Could not you set things right? There are things a man must
bear, and I don’t say you could--save him--or any of us from: give us, I
mean, happiness. But this is madness, despair--I don’t know what--and it
will kill him. Oh, Miss Trelawny, will not you interfere?”
Public-domain text, read in full here on John Shaqi.
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