British -- Italy -- Fiction; Rich people -- Fiction; Single women -- Fiction
It was not, however, till several hours later that she wrote her note to
Mr. Hunstanton. It was quite a model of what an acceptance should be:
dignified, yet not too dignified; cordial, yet not too effusive. She
appreciated Mr. Pandolfini, but she knew the value of the treasure she
was giving. “I shall be happy to see him this evening or to-morrow,” she
wrote. “They will be better able to understand each other when they meet
by themselves; and I too shall be glad to have a talk with Mr.
Pandolfini.” Mr. Hunstanton rubbed his hands as he put this epistle in
his pocket-book. “I knew they would be delighted,” he said to himself,
“and with good reason. Why he should have made such a fuss I don’t
know; for, of course, it’s a capital match for Sophy. And she’ll make
him a nice little wife, and give him a tidy, comfortable English home,
which is a thing not very common in Italy. My wife, by the by, will be
in a pretty way! She never could bear these two harmless little bodies.
Why are women so queer? They never judge as we do. But here’s a settler
for them all,” he said, chuckling and patting his breast-pocket.
Certainly it was all done and settled, and put beyond the reach of
uncertainty now.
CHAPTER XII.
THE HOUSE OF DREAMS.
Pandolfini scarcely slept at all that night. His mind was full of dreams
and visions, and an agitation beyond his control. He let himself in to
his sombre _appartamento_, which was all empty, echoing and vacant, and
lit his lamp from the taper which he had carried with him up the dark
stair-case. The rooms he inhabited were in an old palace which belonged
to his family, but of which he had only a corner now. Upstairs lived an
old couple of his kindred who had their _terzo piano_ by right of blood.
In the higher storeys there were some suites of smaller rooms let to
smaller people. Down below in the _piano nobile_ was an English family,
the usual tenants of everything worth tenanting. His second floor
contained some handsome rooms, and there was one at least which showed
more signs of being lived in than seems natural to Italian rooms. It
was somewhat richly hung with old tapestry. There was a carpet--unusual
luxury!--covering the centre of the floor, and the walls which were not
tapestried were clad with book-shelves. Books, too, were in all the
corners, piled even on the floor, but carefully piled and in order,
arranged by a hand that loved them. There was no sign of any one living
but himself in the dark silent place, where his little open lamp with
its three slightly flickering flames made a mere speck of light in the
darkness, and his foot on the marble of the floor made an echoing sound
all through the house till it reached the sanctuary of the old soft
Turkey carpet, from which long usage had worn the pattern here and
there.
Public-domain text, read in full here on John Shaqi.
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