Diane of Ville Marie: A Romance of French CanadaMacdonnell, Blanche Lucile
History
Diane of Ville Marie: A Romance of French Canada
Macdonnell, Blanche Lucile
Montréal (Québec) -- History -- Fiction
Du Chesne lay in a quiet room, while the moments which no human will
could arrest swept on. He had accepted the verdict passed upon him as
the most natural thing in the world—“quite simple,” as he said.
He was still so young and ardent of temperament that even the dark
passage to the grave abounded in hopeful portents. He would insist upon
being propped up in bed, and being allowed to talk. Affection banished
the solemn, wistful look from his face, and gleamed like faint flashes
of sunshine from the edges of the dark shadow.
The young Canadian was tender and considerate, even on his death-bed. He
was wondrously patient in his pity for Lydia’s simplicity and weakness;
his dying eyes followed her ceaselessly, with a faithful love which had
been born on earth, but which would last forever.
Cecile, outside the door of the sick-room, cried out, launching furious,
vehement invectives against the cruelty of Fate; and Nanon, all glowing
red, her eyes blazing with indignation, her lips quivering with genuine
distress, stood by, with a gaze of wrath and disgust fixed on the
stranger’s face.
But Lydia was too completely absorbed in her own fright and misery to be
sensible of criticism, animosity, or even the evidences of tenderest
affection. All her complacent little vanities had vanished as, clinging
to her friend with piteous, shaking hands, she sought vainly to obtain
some inspiration from the desperate bravery of Diane’s face.
“Diane, be good to her,” pleaded the dying man. “You are her only
protector. You are strong and tender and loyal. I can trust you, my
brave and faithful sister.”
In the constancy of her courage Diane never either faltered or failed.
If she was crushed beneath the cross which was laid upon her, she at
least tasted the supreme blessedness of sacrificing self. Tender
affection gave sight to her eyes, and taught her how to comfort and
solace the sufferer to beguile the pain and tedium of a death-bed, to
staunch those wounds for which human art has no remedy.
Public-domain text, read in full here on John Shaqi.
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