Dick Merriwell's Fighting Chance; Or, The Split in the VarsityStandish, Burt L.
General
Dick Merriwell's Fighting Chance; Or, The Split in the Varsity
Standish, Burt L.
Adventure stories; Dime novels; Merriwell, Dick (Fictitious character) -- Juvenile fiction; Yale University -- Juvenile fiction
There was another signal, and the curtain slowly lifted, and revealed
the stage.
A prolonged burst of genuine applause greeted the beautiful set, which
had been painted by one of the best artists in New York. The fellows had
found nothing so far to guy. They were fair enough according to their
lights. They never jeered a performance simply for the sake of breaking
up the play. It was only their method of showing displeasure for
inferior acting.
The quartette finished the last verse of the song, and, taking a quick
breath, Dick walked quietly onto the stage.
He spoke the first few words of his lines uninterrupted. Then there came
a prolonged burst of hand-clapping, which seemed to continue
indefinitely. Either this was simply a mode of expressing their approval
of the actor who had produced the play under such disadvantages, or else
the fellows were trying to break him up.
But they did not succeed. Dick waited until the applause had died away,
and then continued his lines as if there had been no interruption.
After a first swift glance at the audience, which seemed to him like
nothing else but a sea of faces rising, tier upon tier, to the very
roof, the Yale man had not felt a particle of nervousness. And with his
first lines he plunged himself into the part he was taking, and from
that moment there was not the least sign of hesitancy in his manner.
In truth, he was not acting at all. He was simply himself, and the
college fellows in the audience became instantly plunged into a
controversy as to whether it was Dick Merriwell or some one else, which
lasted off and on to the end of the play.
Once the plunge was taken, the first act went smoothly, gathering
interest as the plot developed. At first Dick’s lines were punctuated by
bursts of applause, which usually started from a certain quarter of the
orchestra where Buckhart was seated, but, as the play progressed, these
became less frequent, until at length the Texan sat gaping at the stage,
growing more and more certain that there had been some mistake, and this
was not his chum at all.
The first act finished with a brisk round of clapping, which did not
cease until the curtain had risen upon the stage several times, and was
only stilled by Dick’s leading Marion Gray before the footlights.
Evidently the boys were very well pleased. That was plain from the buzz
of talk and favorable comment which arose after the curtain finally
dropped.
“You were splendid, Austin!” Marion Gray exclaimed, as they hurried off
the stage. “I never saw you do better. Oh, I’m so glad! It can’t help
but go now.”
“They seemed to like it, all right, didn’t they?” Merriwell smiled. “We
must keep up the good work.”
“Wait till they see the third act,” she smiled, as she slipped into the
dressing room. “That’ll fetch them.”
Public-domain text, read in full here on John Shaqi.
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