Dick Merriwell's Fighting Chance; Or, The Split in the VarsityStandish, Burt L.
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Dick Merriwell's Fighting Chance; Or, The Split in the Varsity
Standish, Burt L.
Adventure stories; Dime novels; Merriwell, Dick (Fictitious character) -- Juvenile fiction; Yale University -- Juvenile fiction
“It’s this way,” he said, in his low, musical voice. “Though I had never
met you, I had heard a lot about you from mutual friends and had seen
you more than once on the diamond and gridiron. Consequently, when I
decided that the play should be one of college life with the scene laid
in New Haven, I felt that you would make an admirable character for the
leading man. Of course, I ran you in under a different name, but I took
the liberty of using a good many of your characteristics, and while I
wrote I had you constantly in mind. I hope you don’t object, for it was
rather cheeky.”
Merriwell laughed.
“Why, no, I don’t mind; but I’m afraid you’ve been stung. There’s
nothing of the hero about me.”
“Oh, modesty, thou rare and precious quality!” murmured Demarest. “I’ve
made a hero of you, then, against your will. When you’ve read the play
you will see yourself in a different light. But I suppose by this time
you, are wondering where my troubles come in.”
“A little,” Dick confessed. “So far your career seems to have been an
unqualified success.”
“Listen, and you shall hear the dire story. Having the play, it never
occurred to me that I could fail to find an opening. Plenty of actors
with no more ability than I have been advanced to stellar rôles. That
sounds conceited, but it isn’t. It’s a fact. But when I approached my
managers, Buffer and Lane, with the proposition, they turned me down.
Said the play was all right and wanted to buy it, but wouldn’t give me
the leading part. They wanted that for one of their pets. Of course, I
refused to let them have it and went to another firm, who were not
supposedly connected with Buffer and Lane.
“It was the same story there. Nothing doing for me. I tried still
another man with the same result, and then I got mad. If they wouldn’t
bring me out I’d produce the play myself. I knew it would make a hit if
it got a chance, and I had lately received a legacy from my grandmother,
which was enough to cover all initial expenses of the production. So I
went blithely on my way, had the scenery done, engaged the company, got
the costumes made. I went to one of the independent managers in New York
and got him to promise to put me on at his theatre providing the play
tried out successfully. And he insisted that the opening performance
should be given in New Haven. Of course, he was right. College men are
the best critics in the world, and if a play, especially of this sort,
succeeds here, it will go anywhere.”
Dick nodded understandingly.
“Of course,” he agreed quickly. “What’s your trouble, then? Why don’t
you produce it at one of the small theatres?”
Demarest shrugged his shoulders.
“Simply because Buffer and Lane object, and the trust, booking Buffer
and Lane’s companies, has lent an acquiescent ear. They absolutely
refuse to give me a single date at either place. They say every night is
booked for the remainder of the season.”
“What nonsense!” Merriwell exclaimed. “Surely there must be some open
nights.”
Public-domain text, read in full here on John Shaqi.
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