Diderot and the Encyclopædists (Vol. 2 of 2)Morley, John
Philosophy
Diderot and the Encyclopædists (Vol. 2 of 2)
Morley, John
Diderot, Denis, 1713-1784; Encyclopedists
displeases her, writes the French Minister, and comedy wearies her; she
does not like music; her table is without any sort of exquisiteness; in
a garden she cares only for roses; her only taste is to build and to
drill her court, for the taste that she has for reigning, and for making
a great figure in the universe, is really not so much taste as a
downright absorbing passion.
[73] _Mem. du Prince de Ligne_, p. 101.
[74] Segur, 219.
Gunning, the English charge d'affaires, insists that the motive of all
her patriotic labours was not benevolence, but an insatiable and
unbounded thirst for fame. "If it were not so, we must charge her with
an inconsistency amounting to madness, for undertaking so many immense
works of public utility, such as the foundation of colleges and
academies on a most extensive plan and at an enormous outlay, and then
leaving them incomplete, not even finishing the buildings for them."
They had served the purpose of making foreigners laud the glory of the
Semiramis of the north, and that was enough. The arts and sciences, said
the French Minister, have plenty of academies here, but the academies
have few subjects and fewer pupils. How could there be pupils in a
country where there is nobody who is not either a courtier, a soldier,
or a slave? The Princess Sophie of Anhalt, long before she dreamed of
becoming the Czarina Catherine II., had been brought up by a French
governess, and the tastes that her governess had implanted grew into a
passion for French literature, which can only be compared to the same
passion in Frederick the Great. Catherine only continued a movement that
had already in the reign of her predecessor gone to a considerable
length. The social reaction against German political predominance had
been accompanied by a leaning to France. French professors in art and
literature had been tempted to Moscow, the nobles sent to Paris for
their clothes and their furniture, and a French theatre was set up in
St. Petersburg, where the nobles were forced to attend the performances
under pain of a fine. Absentees and loiterers were hurried to their
boxes by horse-patrols.
Public-domain text, read in full here on John Shaqi.
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