[-10-] The performances of his next to be enumerated elicited the censure of all without distinction. He caused very great numbers of men to fight as gladiators, forcing them to contend both separately and in groups, drawn up in a kind of military formation: he requested permission from the senate to do this, and again,--something quite contrary to the spirit of the enacted law that he might do whatsoever he pleased,--he asked leave to put to death a number of persons, among them twenty-six knights, some of whom had already devoured their living, while others had merely practiced gladiatorial combat. It was not the number of those who perished that was so bad (though it was bad enough) but his frenzied delight in their slaughter and his never satisfied gazing at the scene of blood. The same trait of cruelty led him once, when there was a shortage of condemned criminals to be given to the beasts, to order some of the mob that stood near the benches to be seized and thrown to them. And to prevent the possibility of their making an outcry or attacking him orally he had their tongues cut out first of all. One of the prominent knights, too, he compelled to fight in single combat on the charge of insult offered to his mother Agrippina, and when the man proved victorious handed him over to the accusers and had him slain. The same person's father, though guilty of no wrong, he confined in a cage (as he had confined numerous others), and there put an end to him.--These contests he at first conducted in the Sæpta, after excavating [5] the entire site and filling it with water, to enable him to bring in one ship. Later he transferred his operations to another place, where he tore down a large number of massive buildings and set up benches. The theatre of Taurus he held in contempt. All this behavior, expenditures and murders alike, subjected him to criticism.