Dio's Rome, Volume 4: An Historical Narrative Originally Composed in Greek During the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 4: An Historical Narrative Originally Composed in Greek During the Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
He then left Drusus in Germania and himself returned to Rome in the
consulship of Tiberius and of Quintilius Varus. It chanced that the news
of his coming reached the city during those days when Cornelius
Balbus after dedicating the theatre now called by his name was giving
spectacles. At this he assumed great importance as if it were he that was
to bring Augustus back, though because of a flooding of the Tiber there
was so great a quantity of water in the theatre that no one could enter
it save in a boat; and Tiberius put the vote to Balbus first, as an
honor for his building the theatre. The senate convened and among other
decisions resolved to place an altar in the senate-chamber itself, to
commemorate the return of Augustus, and that criminals who approached
him as suppliants within the pomerium should be exempt from punishment.
However, he accepted neither of these honors and even escaped a reception
by the people on this occasion by being brought into the city under the
cover of night. This he did almost always whenever he had to go out to
the suburbs or anywhere else, both on his way out and on his way back, so
that nobody should annoy him. The following day he greeted the people on
the Palatine, ascended the Capitol, and taking off the laurel from
around his rods he placed it upon the knees of Jupiter. For that day he
furnished the people with baths and barbers free of charge. After this he
convened the senate and made no address himself by reason of hoarseness,
but gave the book to the quaestor to read which enumerated his
achievements and promulgated rules as to how many years the citizens
should serve in the army and how much money they should receive at the
end of their services in place of the land for which they were always
wont to ask. The object was that by being enlisted on certain specified
terms from the very start they should find in their treatment no excuse
for revolt. The number of years was for the Pretorians twelve and for the
rest sixteen; and the money to be distributed was less for some and more
for others. These measures caused the soldiers neither pleasure nor anger
for the time being, because they had neither obtained all they were
desiring nor yet lost everything. In the remainder of the population it
aroused confident hopes of not being deprived of their possessions in the
future.
[-26-] His next action was to dedicate the theatre called after
Marcellus. In the festival held on this account the patrician children as
well as his grandson Gaius performed the "Troy" equestrian exercise,
and six hundred Libyan wild beasts were slaughtered. Iullus, the son
of Antony, who was prætor, celebrated the birthday of Augustus with
horse-races and slaughterlng of wild beasts, and entertained both him and
the senate (following a decree of that body) upon the Capitol.
Public-domain text, read in full here on John Shaqi.
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