Dio's Rome, Volume 5: An Historical Narrative Originally Composed in Greek During The Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 5: An Historical Narrative Originally Composed in Greek During The Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
[Sidenote:--12--] As for Cleander, who after Perennis possessed greatest
influence, he had been sold along with his fellow-slaves and had been
brought to Rome along with them for the purpose of carrying burdens. As
time went on he attained such prominence that he slept before the chamber
of Commodus, married the emperor's concubine Damostratia, and put to death
Saoterus of Nicomedea (who had held the position before him) besides many
others. Yet this victim had possessed very great influence, so that the
Nicomedeans obtained from the senate the right of holding a series of
games and of building a temple to Commodus. At any rate, Cleander, raised
to greatness by the power of Fortune, granted and sold senatorships.
praetorships, procuratorships, leaderships,--in a word everything. Some by
expending all that they possessed had finally become senators. It came to
be said of Julius Solon (an exceedingly obscure man) that he had been
deprived of his property and banished to the senate. [Sidenote: A.D. 189
(a.u. 942)] Not only did Cleander do this, but he appointed twenty-five
consuls for one year,--something which never occurred before or after. One
of those consuls was Severus, who later became emperor. The man obtained
money, therefore, from every quarter and amassed more wealth than had ever
yet belonged to those nominated cubicularii. A great deal of it he gave to
Commodus and his concubines and a great deal of it he spent on houses,
baths, and other works useful to individuals and to cities.
Public-domain text, read in full here on John Shaqi.
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