Dio's Rome, Volume 5: An Historical Narrative Originally Composed in Greek During The Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English FormCassius Dio Cocceianus
History
Dio's Rome, Volume 5: An Historical Narrative Originally Composed in Greek During The Reigns of Septimius Severus, Geta and Caracalla, Macrinus, Elagabalus and Alexander Severus: and Now Presented in English Form
Cassius Dio Cocceianus
Rome -- History
[Sidenote: A.D. 80 (a.u. 833)] [Sidenote:--24--] Another fire, above
ground, in the following year spread over a very large portion of Rome
while Titus was absent on business connected with the catastrophe that had
befallen in Campania. It consumed the temple of Serapis, the temple of
Isis, the Saepta, the temple of Neptune, the Baths of Agrippa, the
Pantheon, the Diribitorium, the theatre of Balbus, the stage-building of
Pompey's theatre, the Octavian buildings together with their books, and
the temple of Capitoline Jupiter with its surrounding temples. Hence the
disaster seemed to be not of human but of divine contrivance. Any one can
estimate from the list of buildings that I have given, how many more must
have been destroyed. Titus, accordingly, sent two exconsuls to the
Campanians to supervise the founding of settlements and bestowed upon the
inhabitants money that came (besides various other sources) from those
citizens that had died without heirs. As for himself, he took nothing from
individual or city or king, although many kept offering and promising him
large sums. In spite of this, he restored everything from funds already at
hand. [Sidenote:--25--] Most of his deeds had no unusual quality to mark
them, but in dedicating the hunting-theatre and the baths that bear his
name he produced many remarkable spectacles. Cranes fought with one
another, and four elephants, as well as other grazing animals and wild
beasts, to the number of nine thousand, were slaughtered, and women (not
of any prominence, however,) took part in despatching them. Of men several
fought in single combat and several groups contended together in infantry
and naval battles. For Titus filled the above mentioned theatre suddenly
with water and introduced horses and bulls and some other tractable
creatures that had been taught to behave in the liquid element precisely
as upon land. He introduced also human beings on boats. These persons had
a sea-fight there, impersonating two parties, Corcyreans and Corinthians:
others gave the same performance outside in the grove of Gaius and Lucius,
a spot which Augustus had formerly excavated for this very purpose. There,
on the first day, a gladiatorial combat and slaughter of beasts took
place; this was done by building a structure of planks over the lake that
faced the images and placing benches round about it. On the second day
there was a horse-race, and on the third a naval battle involving three
thousand men. Afterwards there was also an infantry battle. The Athenians
conquered the Syracusans (these were the names that were used in the naval
battle), made a landing on the islet, and having assaulted a wall
constructed around the monument took it. These were the sights offered to
spectators, and they lasted for a hundred days.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account