Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
with one stone, and revenge both himself and his emperor together.
From hence I may reasonably conclude that Augustus, who was not
altogether so good as he was wise, had some by-respect in the enacting of
this law; for to do anything for nothing was not his maxim. Horace, as
he was a courtier, complied with the interest of his master; and,
avoiding the lashing of greater crimes, confined himself to the
ridiculing of petty vices and common follies, excepting only some
reserved cases in his odes and epodes of his own particular quarrels
(which either with permission of the magistrate or without it, every man
will revenge, though I say not that he should; for _prior læsit_ is a
good excuse in the civil law if Christianity had not taught us to
forgive). However, he was not the proper man to arraign great vices; at
least, if the stories which we hear of him are true—that he practised
some which I will not here mention, out of honour to him. It was not for
a Clodius to accuse adulterers, especially when Augustus was of that
number. So that, though his age was not exempted from the worst of
villainies, there was no freedom left to reprehend them by reason of the
edict; and our poet was not fit to represent them in an odious character,
because himself was dipped in the same actions. Upon this account,
without further insisting on the different tempers of Juvenal and Horace,
I conclude that the subjects which Horace chose for satire are of a lower
nature than those of which Juvenal has written.
Thus I have treated, in a new method, the comparison betwixt Horace,
Juvenal, and Persius. Somewhat of their particular manner, belonging to
all of them, is yet remaining to be considered. Persius was grave, and
particularly opposed his gravity to lewdness, which was the predominant
vice in Nero’s court at the time when he published his satires, which was
before that emperor fell into the excess of cruelty. Horace was a mild
admonisher, a court satirist, fit for the gentle times of Augustus, and
more fit for the reasons which I have already given. Juvenal was as
proper for his times as they for theirs; his was an age that deserved a
more severe chastisement; vices were more gross and open, more
flagitious, more encouraged by the example of a tyrant, and more
protected by his authority. Therefore, wheresoever Juvenal mentions
Nero, he means Domitian, whom he dares not attack in his own person, but
scourges him by proxy. Heinsius urges in praise of Horace that,
according to the ancient art and law of satire, it should be nearer to
comedy than to tragedy; not declaiming against vice, but only laughing at
it. Neither Persius nor Juvenal was ignorant of this, for they had both
studied Horace. And the thing itself is plainly true. But as they had
read Horace, they had likewise read Lucilius, of whom Persius says,
_Secuit urbem_; . . . _et genuinum fregit in illis_; meaning Mutius and
Lupus; and Juvenal also mentions him in these words:—
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