Discourses on Satire and on Epic PoetryDryden, John
History
Discourses on Satire and on Epic Poetry
Dryden, John
Epic poetry; Satire; Satire -- History and criticism
his dead enemy, nor the selling his body to his father. We abhor these
actions while we read them, and what we abhor we never imitate; the poet
only shows them, like rocks or quicksands to be shunned.
By this example the critics have concluded that it is not necessary the
manners of the hero should be virtuous (they are poetically good if they
are of a piece); though where a character of perfect virtue is set before
us, it is more lovely; for there the whole hero is to be imitated. This
is the Æneas of our author; this is that idea of perfection in an epic
poem which painters and statuaries have only in their minds, and which no
hands are able to express. These are the beauties of a God in a human
body. When the picture of Achilles is drawn in tragedy, he is taken with
those warts and moles and hard features by those who represent him on the
stage, or he is no more Achilles; for his creator, Homer, has so
described him. Yet even thus he appears a perfect hero, though an
imperfect character of virtue. Horace paints him after Homer, and
delivers him to be copied on the stage with all those imperfections.
Therefore they are either not faults in an heroic poem, or faults common
to the drama.
After all, on the whole merits of the cause, it must be acknowledged that
the epic poem is more for the manners, and tragedy for the passions. The
passions, as I have said, are violent; and acute distempers require
medicines of a strong and speedy operation. Ill habits of the mind are,
like chronical diseases, to be corrected by degrees, and cured by
alteratives; wherein, though purges are sometimes necessary, yet diet,
good air, and moderate exercise have the greatest part. The matter being
thus stated, it will appear that both sorts of poetry are of use for
their proper ends. The stage is more active, the epic poem works at
greater leisure; yet is active too when need requires, for dialogue is
imitated by the drama from the more active parts of it. One puts off a
fit, like the quinquina, and relieves us only for a time; the other roots
out the distemper, and gives a healthful habit. The sun enlightens and
cheers us, dispels fogs, and warms the ground with his daily beams; but
the corn is sowed, increases, is ripened, and is reaped for use in
process of time and in its proper season.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account