Discoveries Among the Ruins of Nineveh and BabylonLayard, Austen Henry
History
Discoveries Among the Ruins of Nineveh and Babylon
Layard, Austen Henry
Babylon (Extinct city); Middle East -- Description and travel; Nineveh (Extinct city); Scientific expeditions
On my return to Nimroud, I remained there a few days to give directions to
the overseers for continuing the work during a prolonged absence which I
meditated in the desert. At Kouyunjik several new chambers had been
opened. The western portal of the great hall, whose four sides were now
completely uncovered, led into a long narrow chamber (eighty-two feet by
twenty-six), the walls of which had unfortunately been almost entirely
destroyed. In the chamber beyond, a few slabs were still standing in their
original places. In length this room was the same as that parallel to it,
but in breadth it was only eighteen feet. The bas-reliefs represented the
siege and sack of one of the many cities taken by the great king, and the
transfer of its captives to some distant province of Assyria. The
Assyrians, as was their custom, carried away in triumph the images of the
gods of the conquered nation, which were placed on poles and borne in
procession on men's shoulders. "Hath any god of the nations delivered his
land out of the hand of the king of Assyria?" exclaimed the Assyrian
general to the Jews. "Where are the gods of Hamath and Arphad? where are
the gods of Sepharvaim?"[100] They had been carried away with the
captives, and the very idols that were represented in this bas-relief may
be amongst those to which Rabshakeh made this boasting allusion. The
captured gods were three, a human figure with outstretched arms, a
lion-headed man carrying a long staff in one hand, and an image inclosed
by a square frame.
On the northern side of the great hall the portal formed by the winged
bulls, and the two smaller doorways guarded by colossal winged figures,
led into a chamber one hundred feet by twenty-four, which opened into a
further room of somewhat smaller dimensions. In the first, a few slabs
were still standing, to show that on the walls had been represented some
warlike expedition of the Assyrian king, and, as usual, the triumphant
issue of the campaign. The monarch, in his chariot, and surrounded by his
body-guards, was seen receiving the captives and the spoil in a hilly
country, whilst his warriors were dragging their horses up a steep
mountain near a fortified town, driving their chariots along the banks of
a river, and slaying with the spear the flying enemy.
Public-domain text, read in full here on John Shaqi.
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