During the two months in which the greater part of the discoveries described in this chapter were made, I was occupied almost entirely with the excavations, my time being spent between Nimroud and Kouyunjik. Wishing to visit Baasheikhah, Khorsabad, and other ruins at the foot of the range of low hills of the Gebel Makloub, I left Nimroud on the 26th of November with Hormuzd and the Bairakdar. Four hours' ride brought us to some small artificial mounds near the village of Lak, about three miles to the east of the high road to Mosul. Here we found a party of workmen excavating under one of the Christian superintendents. Nothing had been discovered except fragments of pottery and a few bricks bearing the name of the Kouyunjik king. As the ruins, from their size, did not promise other results, I sent the men back to Mosul. We reached Khorsabad after riding for nearly eight hours over a rich plain, capable of very high cultivation, though wanting in water, and still well stocked with villages, between which we startled large flocks of gazelles and bustards. I had sent one of my overseers there some days before to uncover the platform to the west of the principal edifice, a part of the building I was desirous of examining. Whilst clearing away the rubbish, he had discovered two bas-reliefs sculptured in black stone. They represented a hunting scene, and were executed with much truth and spirit. They belonged to a small building, believed to be a temple, entirely constructed of black marble, and attached to the palace. It stood upon a platform 165 feet in length and 100 in width, raised about six feet above the level of the flooring of the chambers, and ascended from the main building by a flight of broad steps. This platform, or stylobate, is remarkable for a cornice in grey limestone carried round the four sides,--one of the few remains of exterior decoration in Assyrian architecture, with which we are acquainted. It is carefully built of separate stones, placed _side by side_, each forming part of the section of the cornice. Mr. Fergusson observes,[47] with reference to it, "at first sight it seems almost purely Egyptian; but there are peculiarities in which it differs from any found in that country, especially in the curve being continued beyond the vertical tangent, and the consequent projection of the torus giving a second shadow. Whether the effect of this would be pleasant or not in a cornice placed so high that we must look up to it, is not quite clear; but below the level of the eye, or slightly above it, the result must have been more pleasing than any form found in Egypt, and where sculpture is not added might be used with effect anywhere."