Here, therefore, was the actual picture of the taking of Lachish, the city, as we know from the Bible, besieged by Sennacherib, when he sent his generals to demand tribute of Hezekiah, and which he had captured before their return[62]; evidence of the most remarkable character to confirm the interpretation of the inscriptions, and to identify the king who caused them to be engraved with the Sennacherib of Scripture. This highly interesting series of bas-reliefs contained, moreover, an undoubted representation of a king, a city, and a people, with whose names we are acquainted, and of an event described in Holy Writ. They furnish us, therefore, with illustrations of the Bible of very great importance. The captives were undoubtedly Jews, their physiognomy was strikingly indicated in the sculptures, but they had been stripped of their ornaments and their fine raiment, and were left bare-footed and half-clothed. From the women, too, had been removed "the splendor of the foot ornaments and the caps of network, and the crescents; the ear-pendants, and the bracelets, and the thin veils; the head-dress, and the ornaments of the legs and the girdles, and the perfume-boxes and the amulets; the rings and the jewels of the nose; the embroidered robes and the tunics, and the cloaks and the satchels; the transparent garments, and the fine linen vests, and the turbans and the mantles, for they wore instead of a girdle, a rope; and instead of a stomacher, a girdling of sackcloth."[63] Other corroborative evidence as to the identity of the king who built the palace of Kouyunjik with Sennacherib, is scarcely less remarkable. In a chamber, or passage, in the south-west corner of this edifice, were found a large number of pieces of fine clay bearing the impressions of seals, which, there is no doubt, had been affixed, like modern official seals of wax, to documents written on leather, papyrus, or parchment. Such documents, with seals in clay still attached, have been discovered in Egypt, and specimens are preserved in the British Museum. The writings themselves had been consumed by the fire which destroyed the building or had perished from decay. In the stamped clay, however, may still be seen the holes for the string, or strips of skin, by which the seal was fastened; in some instances the ashes of the string itself remain,[64] with the marks of the fingers and thumb.