8. Fragment of a very spirited design representing a chariot and horses passing over a naked figure, pierced through the neck by an arrow. Under this group are the heads, and parts of the shields, of two Assyrian warriors. The wounded man wears a fillet round his head, to which is attached a feather. The horses are blue, and their trappings white; the wheels of the chariot, yellow. The shields of the warriors are blue, edged by a band of alternate squares of blue and yellow; their helmets are yellow, but the faces appear to be merely outlined in white on the olive green ground. 9. The lower part of an Assyrian warrior, his armour and greaves blue, yellow, and white. The naked hand is of a pale brown color. Ground olive green. 10. A castle, with angular battlements; white, with yellow bands on a blue ground. A square door is painted blue. All these fragments evidently belong to the same period, and probably to the same general subject. I should conjecture that they had been taken from the same building as the detached bas-reliefs in the south-west palace, and that consequently they may be attributed to the same king.[69] The outlines are spirited, in character and treatment resembling the sculptures. A fragment of painted brick, found in the ruins of the north-west palace, is undoubtedly of a different, and of an earlier, period. The outline is in black, and not in white. The upper robe is blue, the under yellow, and the fringes white. The ground is yellow. But the most perfect and interesting specimen of painting is that on a brick, 12 inches by 9, discovered in the centre of the mound of Nimroud, and now in the British Museum. It represents the king followed by his attendant eunuch, receiving his general or vizir, a group very similar to those seen in the sculptures from the north-west palace. Above his head is a kind of fringed pavilion and part of an inscription, which appears to have contained his name; beneath him is the Assyrian guilloche border. The outline is in black upon a pale yellow ground, the colors having probably faded. From the costume of the king I believe him to be either the builder of the north-west or centre palace. This is an unique specimen of an entire Assyrian painting.