At Benihassan I have had a complete rocktomb perfectly copied; it will serve as a specimen of the grandiose style of architecture and art of the second flourishing time of the Old Empire, during the mighty twelfth dynasty.[51] I think it will cause some surprise among Egyptologers, when they learn from Bunsen’s work,[52] why I have divided the tablet of Abydos, and have referred Sesurtesen and Amenemha, these Pharaohs, well known through Heliopolis, the Faiûm, Benihassan, Thebes, and up to Wadi Halfa, from the New Empire into the Old. It must then have been a proud period for Egypt--that is proved by these mighty tombs alone. It is interesting, likewise, to trace in the rich representations on the walls, which put before our eyes the high advance of the peaceful arts, as well as the refined luxury of the great of that period; also the foreboding of that great misfortune which brought Egypt, for several centuries, under the rule of its northern enemies. In the representations of the warlike games, which form a characteristically recurring feature, and take up whole sides in some tombs, which leads to a conclusion of their general use at that period afterwards disappearing, we often find among the red or dark-brown men, of the Egyptian and southern races, very light-coloured people, who have, for the most part, a totally different costume, and generally red-coloured hair on the head and beard, and blue eyes, sometimes appearing alone, sometimes in small divisions. They also appear in the trains of the nobles, and are evidently of northern, probably Semitic, origin. We find victories over the Ethiopians and negroes on the monuments of those times, and therefore need not be surprised at the recurrence of black slaves and servants. Of wars against the northern neighbours we learn nothing; but it seems that the immigration from the north-east was already beginning, and that many foreigners sought an asylum in fertile Egypt in return for service and other useful employments.