Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that SubjectWebster, Noah
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Dissertations on the English Language, with Notes, Historical and Critical;: to Which is Added, by Way of Appendix, an Essay on a Reformed Mode of Spelling, With Dr. Franklin's Arguments on that Subject
Webster, Noah
English language -- Early works to 1800; English language -- Grammar -- Early works to 1800; Spelling reform -- Early works to 1800
"With these views, Dioclesian had selected and embellished the
_residence of Nicomedia_."--Is Nicomedia a princess, whose residence
the emperor selected and embellished? This is the most obvious meaning
of the sentence. But Nicomedia, we learn from other passages, was a
city, the _residence_ itself of the emperor. Yet the author could not
tell us this in a few plain words, without spoiling the harmony of the
phrase; he chose therefore to leave it obscure and ungrammatical.
"--But the memory of Dioclesian was justly abhorred by the _Protector
of the Church_; and _Constantine_ was not insensible to the ambition
of founding a city, which might perpetuate the glory of his own name."
Who is the _protector of the church_? By Constantine's being mentioned
immediately after, one would think he cannot be the person intended;
yet on examination, this is found to be the case. But why this separate
appellation? It seems the author meant by it to convey this idea;
That Dioclesian was a persecutor of the church, therefore his memory
was abhorred by Constantine who was its protector; the _cause_ of
_Constantine_'s _abhorrence_ is implied, and meant to be unfolded to
the reader, in a single epithet. Is this history? I must have the
liberty to think that such _terseness_ of stile, notwithstanding the
authorities of Tacitus and Gibbon, is a gross corruption and a capital
fault.
In description, our author often indulges a figurative poetical manner,
highly improper.
"The figure of the imperial city (Constantinople) may be represented
under that of an unequal triangle. The obtuse point, which advances
towards the east, and the shores of Asia, meets and repels the waves
of the Thracian Bosphorus." Here the author soars on poetic wings, and
we behold the _obtuse point_ of a _triangle_, _marching_ eastward,
_attacking_ and _repulsing_ its _foes_, the _waves_ of the Bosphorus;
in the next line, the author sinks from the heights of Parnassus, and
creeps on the plain of _simple narrative_--"The northern side of the
city is bounded by the harbor."
"On these banks, tradition long preserved the memory of the sylvan
reign of Amycus, who defied the _son of Leda_ to the combat of the
Cestus." The author takes it for granted that his reader is acquainted
with all the ancient fables of Greece and Rome. Such _allusions_ to
facts or fables make a wretched figure in _sober history_.[177]
Public-domain text, read in full here on John Shaqi.
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