Customs of the court and stage, it is confessed, rule without resistance in monarchies. But what have we to do with the customs of a foreign nation? Detached as we are from all the world, is it not possible to circumscribe the power of _custom_, and lay it, in some degree, under the influence of propriety? We are sensible that in foreign courts, a man's reputation may depend on a genteel bow, and his fortune may be lost by wearing an unfashionable coat. But have we advanced to that stage of corruption, that our highest ambition is to be as particular in fashions as other nations? In matters merely indifferent, like modes of dress, some degree of conformity to local custom is necessary;[82] but when this conformity requires a sacrifice of any principle of propriety or moral rectitude, singularity becomes an honorable testimony of an independent mind. A man of a great soul would sooner imitate the virtues of a cottage, than the vices of a court; and would deem it more honorable to gain one useful idea from the humble laborer, than to copy the vicious pronunciation of a splendid court, or become an adept in the licentious principles of a Rochester and a Littleton. It will not be disputed that Sheridan and Scott have very faithfully published the present pronunciation of the English court and theater. But if we may consult the rules of our language and consider them as of any authority; if we may rely on the opinions of Kenrick and the reviewers; if we may credit the best informed people who have travelled in Great Britain, this practice is modern and local, and considered, by the judicious and impartial, even of the English nation, as a gross corruption of the pure pronunciation. Such errors and innovations should not be imitated, because they are found in authors of reputation. The works of such authors should rather be considered as lights to prevent our falling upon the rocks of error. There is no more propriety in our imitating the practice of the English theater, because it is described by the celebrated Sheridan, than there is in introducing the manners of Rochester or the principles of Bolingbroke, because these were eminent characters; or than there is in copying the vices of a Shylock, a Lovelace, or a Richard III. because they are well described by the masterly pens of Shakespear and Richardson. So far as the correctness and propriety of speech are considered as important, it is of as much consequence to oppose the introduction of that practice in this country, as it is to resist the corruption of morals, which ever attends the wealthy and luxurious stage of national refinements.