Diversions of a NaturalistLankester, E. Ray (Edwin Ray), Sir
History
Diversions of a Naturalist
Lankester, E. Ray (Edwin Ray), Sir
Natural history
In origin "magic" and "religion" are one. The priest and the magician
were originally one. Man tried to control Nature by the use of spells
and fantastic procedures, based on imagined powers and correspondences
in natural objects. He excogitated (as a modern child sometimes does)
a sort of fancifully assumed system of fixed laws of natural relations
and interactions, of causes and effects which were suggested by
superficial likenesses and wild guesses at connexion and sequence,
accepted without criticism. Thus, we have the widespread doctrines
of "sympathetic magic" and of "contagious magic." An example of the
first is the belief that a certain tree or animal is the sympathetic
representative of a certain man, and that as the one flourishes or
suffers and dies so will the other. This is extended into a belief that
a drawing or image, or even an unshaped stone, may sympathetically
represent a man or an animal. The American medicine-man draws the
picture of a deer on a piece of bark, and expects that shooting at
it will cause him to kill a real deer the next day. He mistakes a
connexion which exists only in the mind of the sorcerer for a real
bond independent of the human mind. Thus, too, waxen or clay images
of an enemy are made and melted before fire or wasted in water, or
pierced with pins (even at this day in Scotland, as witness a clay
figure in the museum at Oxford), in the belief that the enemy himself
will be similarly injured. The belief in "contagious magic" leads
to the procuring of a drop of the blood, or of a piece of the hair,
the toenails, the clothing, or even a part of the unconsumed food of
another individual, in order that a sorcerer may, by acting upon it or
repeating "incantations" over it, influence the actions and life of
that individual for good or for ill.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account