'Sympathy!' she repeats, with a scornful lip that yet trembles;
'_sympathy_ from _you_, who are the cause of all my wretchedness?'
'I?'
'Yes, you!' turning upon him with gathering passion--a passion that is
yet not loud in its utterance; that passes unobserved by the few
listeners about the station. 'Have not you eyes to see that you are
killing her? You might have set yourself a task that would do your
philanthropy more credit than breaking an old friend's heart--than
turning a poor little childish head.'
Her voice wavers as she utters the last few words, and she stops
abruptly. Perhaps it is by accident that Freddy's eye strays furtively
to that spot on the platform where 'Way Out' is legibly inscribed.
'When you talk of "childish,"' he says, in an extremely pained tone, yet
one of gentle remonstrance, 'you seem to forget that I am not so very
old myself. You talk to me as if I were a hoary-headed old sinner. Do
you remember that I shall not be twenty-one till Christmas?' She looks
at him with a sort of despair. What he says is perfectly true. It seems
ludicrous to arraign this pink and white boy as guilty of the tragedy of
her own and Prue's lives. 'I assure you, dear,' he says, in a very
caressing tone, drawing a little nearer to her side, 'I often have to
tell myself that I am grown up; I am so apt to forget it.' Then, as she
is silent, he goes on, 'It would make our relations so much easier,
Peggy, if I could get you to believe in me a little--mutual confidence
is so much the highest and wholesomest basis for human relations. I
think we ought all to try and trust one another; will not you'--edging
nearer still, and dropping his voice to a very persuasive whisper--'will
not you trust me a little?'
Peggy has heard that whisper many times before; has heard it beguiling
her into frequent concessions that her judgment has disapproved. It is
therefore with a very unbelieving, even if half-relenting, voice that
she asks:
'How much the better shall I be if I do?'
'It makes things so much easier if one feels that one is believed in,'
he says touchingly, if a little coaxingly. 'Oh, Peggy dear, will not you
believe in me? Will not you trust me a little? Will not you wait--wait
till I have taken my degree? _Then_ you shall see!'
In his eagerness he has seized her hand, unmindful of the publicity of
the place; and she, unmindful of it also, is poring in disconsolate
anxiety upon his features to see if they look as if he were for once
speaking the truth.
'See _what_?' she asks drily; but he apparently does not hear the direct
question.
'And you will not let the Red House?' he pursues coaxingly. 'That was
only a threat, was not it? Of course, I can perfectly understand your
irritation; but you will not let it? Dear little house! if you only knew
what a sacred spot it is to me! And you yourself, Peggy--why, you are
like a limpet on your rock. You would be miserable anywhere else.'
Public-domain text, read in full here on John Shaqi.
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