The first beam has struck one of the lofty pinnacles, and made laughter
and gaiety of its tercentenary gloom. Now it is laying long shadows
about mead and street--shadows of noble buildings, of cropping cows, of
commonplace yet dawn-ennobled houses, and of vernal trees. Far below on
the bridge is the pigmy crowd, with the vulgar din of its May horns,
blown thus early, in ill-survival of some Puritan custom, to drown the
notes of the Latin hymn. But here, high up above the world, is no music
but that august one of the loud bells; no sight but the arch of the
perfect sky, and the solid grandeur of God's first best gift to man--new
light.
In this stately dawning they stand together, he and she, despite the
crowd, virtually alone; for Prue has drawn away Freddy to point out to
him what is indeed startlingly obvious, the rocking of the tower under
the vibration of the bells. Several undergraduates--more indeed than
not--are taking off their college caps, and flinging them down over the
battlements. The wind blows colder with the sunrise, but they pay little
heed to its chill admonishment. With their bare young heads they stand
laughing and leaning down to watch the fate of their mortar-boards. Most
alight on the college roofs; one sticks on a pinnacle, greatly to its
owner's delight. There is a noise of young voices, exclamations, bets,
jolly laughter, on the crisp morning air. And meanwhile Talbot and
Margaret stand staring at each other, silent at first; for how from such
a torrent of words as he has to pour out before her can he choose which
to begin with?
At last, 'I--I--did not expect to meet you here,' he says stupidly.
'Nor I you.'
'Are you staying in Oxford?'
'Yes, at the Mitre. Freddy was very anxious that we should come, and so
Lady Roupell brought us.'
She answers him quietly, in a rather low voice, but she does not on her
side originate any question. Can it be that she is struggling with a
difficulty in any degree akin to his own? Urged by this dazzling
possibility; urged still more by the shortness of the time--since what
security is there that Prue may not be back upon them at any moment with
some fresh discovery about the tower or the bells?--he hazards a speech
of greater significance, of such significance in his own eyes that he
trembles almost as much as the bell-rocked tower in making it.
'At the moment I first caught sight of you, and before that, I was
thinking of you.'
'Were you?'
'I suppose that there are few things in the world more unlikely than
that _you_ were thinking of _me_?'
She hesitates a second. He sees by a sort of distress in her sweet,
candid eyes, that she would like to be able to tell him that she had
been thinking of him. But she evidently had not, and is too honest to be
able to feign that she had.
'I was not thinking of you at that moment,' she answers reluctantly; 'I
was too much out of breath with my climb,' she adds, with a rather
embarrassed laugh, 'to be thinking of anything.'
Public-domain text, read in full here on John Shaqi.
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