'I do not know,' she says, with her lips trembling; 'I am not sure. When
I see Prue--when I know that it has brought all the pain she has
suffered--and she has suffered a good deal--more than you would think,
to look at her, that she could bear--into her life--my one prayer is to
keep clear of it; and yet--and yet'--with a yearning in her voice--'one
would not like to die having quite missed it. Oh, tell me'--with a
change in her tone to one of compelling entreaty, bringing back the eyes
but now so sedulously averted from him, and plunging them into his under
the shade of the hawthorn bough--'were you really speaking truth when
you said you had come down from London only to see me? Are you quite
sure--quite--that that was your real motive?'
'Quite.'
'Nobody would believe it,' she says, with a sort of wonder in her voice;
'nobody thinks so. They all'--faltering a little--'they all think
something quite different.'
'What does it matter what they think?' he cries hotly, the colour which
unluckily is equally the livery of brazen guilt and oppressed innocence
again mantling his face. 'What have we to do with their blatant
suppositions? Are you going to let _them_ come between us?'
'You will think me very suspicious,' she says tremulously--'very hard to
be convinced of what most women would find it easy enough to
believe--but--but--I care for very few people,' she goes on, beginning a
fresh sentence without finishing the former one; 'but when I do care, I
care very badly. Do not be angry with me if I say that I have a sort of
dread of caring very badly about you.' If he had had his will, the
conclusion of that sentence would have found her in his arms; but she
holds herself gently aloof. 'If I once let myself love you,' she says,
the tears stealing afresh into her eyes, 'I know that I could never
unlove you again--never while I lived, try as I might; and if afterwards
I found out----'
'Found out what?' breathlessly.
'You know,' she goes on, trying to speak firmly--'I am sure you must
know--that when first I saw you, I had heard nothing but what was bad of
you. That was my only excuse for the way in which I behaved to you. I
had heard things about you--no; do not be afraid,' a writhing motion on
his part conveying to her what her words are making him suffer. 'I am
not going to ask you whether they were true. I have no business with
your past; but what I _must_ ask you--what I shall never have any peace
until I _have_ asked you,' her agitation deepening--'is whether if
people said them now they would still be true?'
There is a moment's stillness before he answers--a moment long enough
for the hawthorn's perfume to be for ever after wedded in her memory to
that pregnant pause. It is almost in a whisper that she has put her
question, and it is quite in a whisper that his answer comes:
'If they would be true, should I be here now, Peggy?'
Public-domain text, read in full here on John Shaqi.
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