She has lapsed into her flippant gaiety again, and now pauses as if
expecting him to inquire into the nature of the other reason to which
she alludes; but if so, he does not gratify her. He is still fighting
with the horror of that double consciousness. Can this be the woman to
whom in that icy winter dawning his whole soul had gone out in such an
overpowering passion of pity? And if it be indeed she, has she clean
forgotten the sacred agony of their last farewell? Her laugh is still
dissonantly jarring on his stunned ear, when, finding it hopeless any
longer to wait for questioning on his part, she resumes:
'It is always well to kill two birds with one stone--is not it?' says
she, looking hardily into his eyes. 'Pardon the homeliness of the
expression! You know that reports reach even quiet places--Harborough,
for instance. Well, such a report--a _canard_ probably, but still there
was something oddly circumstantial about it--was spreading there
yesterday about a--person--I--used--to know--rather well--have some
interest in--in fact----'
She pauses again; her words have, for the last half of her speech, come
draggingly, with a little break between each, and not for one instant
does her eye release him. But again he makes no comment. Her breath is
coming perceptibly quicker when she next takes up her theme.
'You do not ask what the report was? No? I fear my little tale does not
interest you. It would perhaps be civiller on your part if you could
pretend that it did; perhaps you will think that it improves as it goes
on. Well, the subject of the report is a man; and the report itself--do
not you think that it was the simplest plan on my part to come and
verify it in person?--is that he is going to take to his bosom a--ha!
ha! I never can help laughing when I think of it--a--guess! No; you
would never guess--_a sack of pota_----'
'Do not call her names,' says Talbot, for the first time finding his
voice, and stretching out his hands, but now hanging so nervelessly at
his sides, in authoritative wrathful prohibition; 'do not dare to call
her names!'
'Then it _is_ true?'
Her laugh, little kin as it had ever had with real merriment, is
dead--strangled in her throbbing throat; and she puts up her hand as if
she were choking.
'Until you can speak of her with the respect that is her due, I will
answer no questions,' he replies sternly.
The next moment he sees her stagger in the starlight, and his heart
smites him for his cruelty. He makes a hasty movement towards her,
thinking that she is going to fall; but before he can reach her she has
steadied herself, and faces him, livid, it is true, under her paint, but
firm and collected beneath the stars. She has even recovered her laugh.
Public-domain text, read in full here on John Shaqi.
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