With a stab at her heart Peggy recognises the reason of this inaction.
The shrewd old woman sees how needless is her interference; and, being
kind as well as shrewd, refrains from giving the last unnecessary shove
to the tottering card-house of poor Prue's felicity.
CHAPTER XXXIII
'At Charing Cross, hard by the way
Where we, thou know'st, do sell our hay,
There is a house with stairs;
And there did I see coming down
Such folk as are not in our town;
Forty at least in pairs.'
On the night of the 15th of September a great many more than forty pairs
of feet were passing up and down the stairs of that magnificent specimen
of Jackson's domestic architecture, the Hartleys' new palace in
----shire. Amateur theatricals are, strange as it may appear, since
going to see them is almost invariably the triumph of hope over
experience, always an attractive bait to hold out to a country
neighbourhood. Apart from the pleasure of thinking how much better than
do the actors, one could have played their parts one's self; and that
opposite and more good-natured, if not quite so acute pleasure, of
wondering with Miss Snevellici's patroness, 'How they ever learnt to act
as they do, laughing in one piece, and crying in the next, and so
natural in both,' there is, in the present case, an element of curiosity
which adds an additional poignancy to the expectation of enjoyment usual
in such cases.
It is the Hartley _coup d'essai_ in hospitality in the county, and there
is a widespread interest manifested as to how they will do it. Almost as
widespread is the comfortable conviction that they will do it well.
An old-established squire who has been seated on his modest acres for a
couple of hundred years may venture to invite his friends to dance on a
sticky floor to the sound of a piano, and to wash away their fatigue in
libations of 50-shilling champagne; but the millionaire, who has only
within the last year set an uncertain foot upon the land, is not likely
to try any such experiments upon the county's patience. It is, then,
with a confident hope of Gunter and Coote and Tinney that the occupants
of most of the carriages step out on the red cloth--a hope that the
first glimpse of the banks of orchids that line the entrance-hall goes
far to make a certainty.
Public-domain text, read in full here on John Shaqi.
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