A minute of smooth whirling lands her at Freddy's side, and fortunately
for her, at the same moment some one addressing the daughter of the
house from behind takes off her attention.
'Are not you going to dance with Prue?' she asks in a stern breathless
whisper. 'Have you forgotten that you are engaged to Prue?'
He looks at her with a gentle astonishment.
'What are you talking about, dear? Is it a thing that I am likely to
forget? Of course I must get through my duty-dances first. Dear Prue is
the last person not to understand that. You are looking _splendid_
to-night, Peg! perhaps because you are so ill-tempered--evil passions
always become you. You have not a dance to spare me, I suppose? What a
floor! Tra la la!'
Away he scampers with Miss Hartley, and Peggy, curtly resisting all her
ill-used swain's entreaties to take another turn, insists upon being led
back there and then to her chaperon. Prue shall not, through her fault,
have one second's more suspense to endure.
'It is all right!' she says eagerly, under her breath, into the young
girl's ear; 'he is getting through his duty-dances first. It is all
right.'
CHAPTER XXXV
But the execution of Mr. Ducane's duty-dances is apparently no short
task, nor one lightly or quickly accomplished. But few of them, as it
turns out, are danced in the ball-room in the eye of the world, and of
the electric light. A far larger number are danced on sofas, in obscure
corners of little-frequented boudoirs, on steps of the stairs, and under
the palm-fans and tree-ferns of the conservatory.
And meanwhile the night swings on. Dance has followed dance. The feet
fall pat to the perfect time of the soldiers' music: valse, galop,
polka, mazurka, Lancers--Peggy dances them all.
In the Lancers chance brings her close to Lady Betty, who is romping
through them with a staid County Member, whom to the petrifaction of his
wife, watching horror-struck from afar, she makes romp flagrantly too.
Her voice throughout the evening is heard, penetratingly high, above the
band; her laugh seems to be ringing from every corner of the room,
accompanying her extraordinary antics. For Lady Betty is by no means on
her best behaviour to-night, and permits herself such innocent and
humorous playfulnesses as putting a spoonful of ice down the back of one
of the young Hartleys, popping a fool's-cap out of a cracker on the head
of a bald old gentleman perfectly unknown to her, etc. She is evidently
not fretting very badly at Talbot's absence. So Margaret thinks, as with
a sort of unwilling fascination she watches her.
Lady Betty is evidently in precisely the same mood as she was on that
evening when she had favoured milady's guests at the Manor with her
remarkable song. It would take uncommonly little persuasion to-night to
induce her to sing--
'Oh! who will press that lily hand?'
Public-domain text, read in full here on John Shaqi.
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