'She would have been all right if she had had some supper,' says milady
gruffly, probably thinking in bitterness of spirit how greatly to their
reciprocal advantage it would be, if a balance could be struck between
her own past refreshments and Prue's. Then she adds very sharply, and
with an obvious disposition in her tone to hustle her graceful nephew,
'I do not know what you are dawdling here for? Why do not you go and
look after the carriage?'
He does not require to be told this twice, and by the alacrity with
which he obeys the command, Peggy knows that it comes at this moment
most welcome. No one could enjoy looking in a face with an expression
such as Prue's now wears, knowing that he himself has brought it there;
and for one so especially partial as Mr. Ducane to wreathed smiles, it
is doubly painful and trying.
The footman and carriage are long in being found. Our party have to wait
what seems to them for a good half-hour in the hall, cloaked, and, as
far as concerns milady, fur-booted, while through the open hall-door
streams in on the mist the flash of carriage-lamps; the frosty breath of
horses--frosty though it is only mid-September--the noise of gravel
kicked up under hoofs; the sound of other people's shouted names.
Freddy comes back, and stands beside Prue, and addresses her now and
again in coaxing undertones, to which--a fact unparalleled in her poor
history--she makes no rejoinder. She is standing right in the full
draught from the open door. Her cloak is unfastened at the neck. She has
evidently not taken the trouble to tie it. The keen north-wester blows
in full upon her thin collar-bones; but when Peggy remonstrates with
her, she does not seem to hear.
'Lady Roupell's carriage!'
Thank God, the welcome sound at last! Milady, who has been nodding,
bounds to her feet and seizes the arm of her obsequious host, who has
been struggling under difficulties to give her a pleasant impression of
her last moments under his roof; under difficulties, since she has been
more than three-quarters asleep. Peggy hurries after her, and Prue and
Freddy bring up the rear. There are too many impatient carriages behind
Lady Roupell's for there to be any moment for last words. The footman
bangs the carriage-door, jumps on the box, and they are off.
Public-domain text, read in full here on John Shaqi.
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