It is two hours later when she wakes with a frightened start, and
springs--half unconscious of her whereabouts at first--to her feet. The
position of the sun in the sky, the altered angle of the shadow cast by
her may-bush, tell her to how much longer a period than she had intended
her five minutes have stretched. She begins to run, with a beating
heart, back towards the house. Prue will have missed her! Prue will have
been crying out for her! How stupid, how selfish of her to fall asleep!
She has entered the hall, when the noise of a closing door--her ear
tells her Prue's--reaches her; and by the time she gets to the foot of
the stairs she is confronted by a person coming quickly down. It is not
Sarah, nor yet the doctor. It is the person to whom, beside the
Judas-tree, she had framed that bitter message. She can give it now if
she chooses. Freddy's hair is all ruffled, and the tears are streaming
down his face--real, genuine salt tears.
'Oh, Peggy!' he cries, in a broken voice, as he catches sight of her,
seizing both her hands; 'is that you? Come and talk to me! Come and say
something nice to me! I am _so_ miserable! Oh, how dreadful these
partings are!'
As he speaks he draws her back into the hall with him; and throwing
himself on the settle, flings his arms down upon the cushions, and his
head upon them.
'Have you seen her?' asks Peggy in a shocked stern voice. 'Do you mean
to say that you have seen her?'
The answer comes, blurred and muffled, from among the pillows.
'Yes, yes.'
'You are not satisfied, apparently, with the way in which you have done
your work,' rejoins Peggy, with an intonation of icy irony, though her
voice trembles; 'you are anxious to put the finishing-stroke to it!'
'I do not know what you are talking about,' says Freddy, lifting his
tossed head and his tear-stained face, and looking at her with his wet
eyes. 'I can see by your look that you mean to be unkind--that you have
some cruel intention in your words; but you may spare yourself the
trouble. I am so wretched that I am past feeling any blow you may aim at
me. I knew nothing of her illness; her letter reached me only an hour
ago. I came to see her; she heard my voice. Oh, Peggy, you do not
realise how keen love's ears are! She asked to see me; she was lying on
the sofa in her dressing-room. My Prue!--my Prue! What have you been
doing to her? Oh, that word "Good-bye"! What long reverberations of
sorrow there are in it!'
At the sight of the young man's emotion, so overpowering and to all
appearance so genuine, Peggy's heart has been softening a little; but at
this last sentence, uttered with something of his old manner of lofty
and pensive reflection, it hardens again. Bitterness, such as had seized
upon her by the Judas-tree, is rising again in her.
'You keep to your plan, then? you are going?' she asks, breathing hard,
and with a sort of catch in her voice.
Public-domain text, read in full here on John Shaqi.
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