She is gone--passed out into the blackness of the winter evening--gone
before Peggy, paralysed, half-stunned as she is, can arrest her. Was she
ever here? The doubt flashes into the girl's mind. Of late, in her long
vigils, she has seemed to be parted from the spirit-world by but the
consistency of a spider's web. Has that fine partition been broken down?
Has she been seeing visions, and dreaming dreams? Did that crape-gowned
figure ever stand really in the body beside the table? Did she herself
ever look across the lamplight into the still and bottomless despair of
its eyes? Did it really give her Franky's knife, and tell her--oh no, it
is incredible! God can never have granted to her--to her of all people,
sunk so low as she is, far beyond the reach of any joy to touch--to hear
such things as her ears seem to have heard. She looks wildly round the
room.
'It was not true!' she says out loud; 'it was hallucination. It comes of
sleeping so little.'
And yet it must be true, too; for here, clasped in her hand, is the poor
knife, the object of the mother's journey. If that be real, then must
all the rest be real too. As the splendour of this inference breaks in
dazzling overpowering light upon her soul, she sinks on her knees beside
the table, lays down her head upon it at the same spot where Talbot had
laid his head in his heart-break five months ago, while she had stood
over him pronouncing her unjust and inexorable sentence.
'Oh, love, love!' she sighs out; 'dear love! poor love! forgive me! come
back to me! how could I tell?'
And then she lifts her face up to him, as if he were there; her face
irradiated with a joy like that of morning. Yes, though Prue is dying
upstairs, though Franky's pathetic bequest is still held between her
fingers, her heart is leaping. Has not one of her dead been given back
to her? Why, then, shall they not all? In that moment of supreme
elation, it seems to her as if all things were possible; it seems to her
as if Prue must get well, as if all her other dead joys must come
crowding back to welcome that exceeding great one, that has flown to her
with widespread arms out of the night of winter and despair. Prue will
get well. God will make her well. With God all things are possible.
There is a smile of wet radiance on her pale lips, and in her tired
eyes; and she is repeating over and over again to herself, as if by
repetition she would ensure their fulfilment, these lovely promises,
when the door opens and Sarah looks in.
'If you please, 'm, could you come back to Miss Prue?'
'Oh yes, this minute--this minute! How has she been? how is she? Better?
a little better?'
There must be something strange about her own appearance, for her
servant is looking at her in undisguised amazement.
Public-domain text, read in full here on John Shaqi.
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