Safely out on the terrace in the moonlight! Not, it is true, a great
wash of moonlight such as went billowing over the earth when she paid
her former night-visit to milady's garden; but such small radiance as a
lessening crescent, now and then dimmed by over-flung cloud-kerchiefs,
can lend. The stars, indeed, seeing their lady faint and fail, eke her
out with their lesser lights. Peggy stands drawing deep breaths, staring
up at them with her head thrown back, as they shine down upon her in
their overwhelming, overpowering distance, and purity and age. But
between her and their august and soothing silence comes again that
odious refrain:
'Some other man!
.....'
She puts her fingers in her ears and runs, nor does she stop until she
has reached the close of the long, broad gravel walk that keeps the
house-front company from end to end. Then she pauses and listens. No,
she is not far enough off even yet. Fainter, but still perfectly
audible, comes the vulgar ribaldry:
'Some other man!
.....'
and then the storm of applause. Let her at all events reach some spot
where she will be unable to detect any tone of Prue's in that insane
mirth! But is there such a spot? To her excited fancy it seems as if in
the remotest dell, the loneliest coppice of the park, she would still
overhear her Prue's little voice applauding that disgusting pleasantry.
She walks quickly on, between flower-borders and shrubberies, until she
reaches a wrought-iron gate that leads into the walled garden. She opens
it and passes through, then stands still once again to listen. She has
succeeded at last. Not an echo of Betty's high-pitched indecencies
attains to this quiet garden-close to offend her ears. There is no noise
less clean and harmless than that of the south wind delicately wagging
the heads of the slumberous flowers.
The garden, as its name implies, is hedged in from each rude gust on
three sides by stout walls, stone-coped and balled. On the fourth,
towards the sun-setting, it is guarded only by a light decorated iron
railing, now muffled in the airy fluff of the traveller's joy, and
embraced by the luxuriant arms of the hop, the clematis, and the
wandering vine. Between their tendrils, between the branches of the
strong tea-rose and the Virginia creeper's autumn fires, one catches
friendly glimpses of the church tower and the park, and the gentle deer.
Inside, the garden is encompassed by wide and crowded flower-borders,
but the middle is sacred to the green simplicity of the velvet grass.
Public-domain text, read in full here on John Shaqi.
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