Their curly heads fill up the window-space so completely that Peggy, for
a moment, hopes to escape detection and recognition. She hopes it the
more, since, for the first minute, Betty has no eyes save for her boy,
whom she has caught in her arms; relieving Peggy at length from her
convulsive hold of his small-clothes, and burying him under a perfect
smother of kisses.
'My blessing--my beauty! so I have got you back at last! You must
never--never leave your poor mammy again! Well, Lily, how are you?
Goodness, child, what a figure you are! You are one large freckle! Oh,
Miss Lambton, is that you? Where are you off to? Is Prue with you? No?
What fun Prue is! I had no idea until she stayed with me what capital
fun she was. You must let me have her again before long.'
The train moves off, and Margaret, a little heavier-hearted than before,
with it. Some impulse prompts her to pull back the curtain of the little
side-window in order to watch, as long as it is in sight, that figure on
the little platform. Yes, Prue is certainly like her; but, alas! it is
to be not even a good imitation for which she has foregone her own
woodland grace. Margaret had forgotten how pretty Betty was. How
charming she looks now, with her face full of wholesome mother-love,
perfectly unconscious, indifferent as to whether any one is looking at
her or not, clasping her little rosy child.
CHAPTER XIX
'Ox--ford! Ox--ford!' Her goal is reached; and as she has no luggage,
and is therefore independent of the scanty-numbered and not particularly
civil porters, in two minutes after the stopping of the train she is in
a hansom, spinning up to Christ Church. At Tom Gate she gets out, and
rather timidly entering the archway, bends her steps to the porter's
lodge. He comes out politely to meet her.
'Can you tell me where Mr. Ducane's rooms are?'
'Certainly, ma'am. Peckwater Quad, third door on the left hand, second
staircase.'
As she is moving off hurriedly in the direction indicated her informant
adds:
'I am afraid that you will not find him in, ma'am.'
'Not in?' repeats she, in a tone of the most acute astonishment. 'Is not
he ill, then?'
'Not that I am aware of, ma'am; he went out about half an hour ago with
a lady.'
At the mention of the lady a sudden vermilion flies up into Peggy's
face.
'Did you happen to notice,' she asks precipitately--'can you tell me
which way they--they went?'
'I think they may have been going to the meadows, ma'am; they went out
by the Hall.'
Almost before he can lift his finger to point out the line she is to
take she is off upon it. Across the wide quad she speeds, under the
exquisite stone umbrella that has held itself for over three centuries
above the staircase up which thousands of stalwart young feet have
tramped to their dinner in the Hall. Along the still, gray cloisters;
past the mean flimsiness of the new buildings, erected apparently as a
bad practical joke, out into the sunshine and dignity of the Broad Walk.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account