“I advise you,” said the Warden, by way of changing the conversation, “to look over the excellent history of the county which you are now in. There is no reading better, to my mind, than these country histories; though doubtless a stranger would hardly feel so much interest in them as one whose progenitors, male or female, have strewn their dust over the whole field of which the history treats. This history is a fine specimen of the kind.” The work to which Redclyffe’s attention was thus drawn was in two large folio volumes, published about thirty years before, bound in calf by some famous artist in that line, illustrated with portraits and views of ruined castles, churches, cathedrals, the seats of nobility and gentry; Roman, British, and Saxon remains, painted windows, oak carvings, and so forth. And as for its contents the author ascended for the history of the county as far as into the pre-Roman ages, before Caesar had ever heard of Britain; and brought it down, an ever swelling and increasing tale, to his own days; inclusive of the separate histories, and pedigrees, and hereditary legends, and incidents, of all the principal families. In this latter branch of information, indeed, the work seemed particularly full, and contained every incident that would have worked well into historical romance. “Aye, aye,” said the Warden, laughing at some strange incident of this sort which Redclyffe read out to him. “My old friend Gibber, the learned author of this work, (he has been dead this score of years, so he will not mind my saying it,) had a little too much the habit of seeking his authorities in the cottage chimney-corners. I mean that an old woman’s tale was just about as acceptable to him as a recorded fact; and to say the truth, they are really apt to have ten times the life in them.”