He started up impulsively, to the amazement of his companion, who of course could not comprehend what seemed so to have stung his American friend. As they passed the tree, on the other side of its huge trunk, they saw a young woman, sitting on that side of it, and sketching, apparently, the church tower, with the old Elizabethan vicarage that stood near it, with a gate opening into the churchyard, and much embowered and ivy-hung. “Ah, Miss Cheltenham,” said the Warden. “I am glad to see that you have taken the old church in hand, for it is one of the prettiest rustic churches in England, and as well worthy as any to be engraved on a sheet of note-paper or put into a portfolio. Will you let my friend and me see your sketch?” The Warden had made his request with rather more freedom than perhaps he would to a lady whom he considered on a level with himself, though with perfect respect, that being considered; and Redclyffe, looking at the person, saw that it was the same of whose face he had had a glimpse in the looking-glass, in the old palmer’s chamber. “No, Doctor Hammond,” said the young lady, with a respectful sort of frankness, “you must excuse me. I am no good artist, and am but jotting down the old church because I like it.” “Well, well, as you please,” said the Warden; and whispered aside to Redclyffe, “A girl’s sketchbook is seldom worth looking at. But now, Miss Cheltenham, I am about to give my American friend here a lecture on gargoyles, and other peculiarities of sacred Gothic architecture; and if you will honor me with your attention, I should be glad to find my audience increased by one.”