France -- Social life and customs -- 19th century -- Fiction
And Pascal, too, had grown handsome again under the influence of love,
with the serene beauty of a man who had retained his vigor,
notwithstanding his white hairs. His countenance had no longer the
sorrowful expression which it had worn during the months of grief and
suffering through which he had lately passed; his eyes, youthful still,
had recovered their brightness, his features their smiling grace; while
his white hair and beard grew thicker, in a leonine abundance which
lent him a youthful air. He had kept himself, in his solitary life as a
passionate worker, so free from vice and dissipation that he found now
within him a reserve of life and vigor eager to expend itself at last.
There awoke within him new energy, a youthful impetuosity that broke
forth in gestures and exclamations, in a continual need of expansion,
of living. Everything wore a new and enchanting aspect to him; the
smallest glimpse of sky moved him to wonder; the perfume of a simple
flower threw him into an ecstasy; an everyday expression of affection,
worn by use, touched him to tears, as if it had sprung fresh from the
heart and had not been hackneyed by millions of lips. Clotilde’s “I
love you,” was an infinite caress, whose celestial sweetness no human
being had ever before known. And with health and beauty he recovered
also his gaiety, that tranquil gaiety which had formerly been inspired
by his love of life, and which now threw sunshine over his love, over
everything that made life worth living.
They two, blooming youth and vigorous maturity, so healthy, so gay, so
happy, made a radiant couple. For a whole month they remained in
seclusion, not once leaving La Souleiade. The place where both now
liked to be was the spacious workroom, so intimately associated with
their habits and their past affection. They would spend whole days
there, scarcely working at all, however. The large carved oak press
remained with closed doors; so, too, did the bookcases. Books and
papers lay undisturbed upon the tables. Like a young married couple
they were absorbed in their one passion, oblivious of their former
occupations, oblivious of life. The hours seemed all too short to enjoy
the charm of being together, often seated in the same large antique
easy-chair, happy in the depths of this solitude in which they secluded
themselves, in the tranquillity of this lofty room, in this domain
which was altogether theirs, without luxury and without order, full of
familiar objects, brightened from morning till night by the returning
gaiety of the April sunshine. When, seized with remorse, he would talk
about working, she would link her supple arms through his and
laughingly hold him prisoner, so that he should not make himself ill
again with overwork. And downstairs, they loved, too, the dining-room,
so gay with its light panels relieved by blue bands, its antique
mahogany furniture, its large flower pastels, its brass hanging lamp,
always shining.
Public-domain text, read in full here on John Shaqi.
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