France -- Social life and customs -- 19th century -- Fiction
The day on which Martine saw the pastel nailed to the wall, she looked
at it a moment in silence, then she made the sign of the cross, but
whether it was because she had seen God or the devil, no one could say.
A few days before Easter she had asked Clotilde if she would not
accompany her to church, and the latter having made a sign in the
negative, she departed for an instant from the deferential silence
which she now habitually maintained. Of all the new things which
astonished her in the house, what most astonished her was the sudden
irreligiousness of her young mistress. So she allowed herself to resume
her former tone of remonstrance, and to scold her as she used to do
when she was a little girl and refused to say her prayers. “Had she no
longer the fear of the Lord before her, then? Did she no longer tremble
at the idea of going to hell, to burn there forever?”
Clotilde could not suppress a smile.
“Oh, hell! you know that it has never troubled me a great deal. But you
are mistaken if you think I am no longer religious. If I have left off
going to church it is because I perform my devotions elsewhere, that is
all.”
Martine looked at her, open-mouthed, not comprehending her. It was all
over; mademoiselle was indeed lost. And she never again asked her to
accompany her to St. Saturnin. But her own devotion increased until it
at last became a mania. She was no longer to be met, as before, with
the eternal stocking in her hand which she knitted even when walking,
when not occupied in her household duties. Whenever she had a moment to
spare, she ran to church and remained there, repeating endless prayers.
One day when old Mme. Rougon, always on the alert, found her behind a
pillar, an hour after she had seen her there before, Martine excused
herself, blushing like a servant who had been caught idling, saying:
“I was praying for monsieur.”
Public-domain text, read in full here on John Shaqi.
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