Toward the end of August however, matters grew bad again. At times they had rude awakenings, in the midst of this life without ties, without duties, without work; this life which was so sweet, but which it would be impossible, hurtful, they knew, to lead always. One evening Martine told them that she had only fifty francs left, and that they would have difficulty in managing for two weeks longer, even giving up wine. In addition to this the news was very serious; the notary Grandguillot was beyond a doubt insolvent, so that not even the personal creditors would receive anything. In the beginning they had relied on the house and the two farms which the fugitive notary had left perforce behind him, but it was now certain that this property was in his wife’s name and, while he was enjoying in Switzerland, as it was said, the beauty of the mountains, she lived on one of the farms, which she cultivated quietly, away from the annoyances of the liquidation. In short, it was infamous—a hundred families ruined; left without bread. An assignee had indeed been appointed, but he had served only to confirm the disaster, since not a centime of assets had been discovered. And Pascal, with his usual indifference, neglected even to go and see him to speak to him about his own case, thinking that he already knew all that there was to be known about it, and that it was useless to stir up this ugly business, since there was neither honor nor profit to be derived from it. Then, indeed, the future looked threatening at La Souleiade. Black want stared them in the face. And Clotilde, who, in reality, had a great deal of good sense, was the first to take alarm. She maintained her cheerfulness while Pascal was present, but, more prescient than he, in her womanly tenderness, she fell into a state of absolute terror if he left her for an instant, asking herself what was to become of him at his age with so heavy a burden upon his shoulders. For several days she cherished in secret a project—to work and earn money, a great deal of money, with her pastels. People had so often praised her extraordinary and original talent that, taking Martine into her confidence, she sent her one fine morning to offer some of her fantastic bouquets to the color dealer of the Cours Sauvaire, who was a relation, it was said, of a Parisian artist. It was with the express condition that nothing was to be exhibited in Plassans, that everything was to be sent to a distance. But the result was disastrous; the merchant was frightened by the strangeness of the design, and by the fantastic boldness of the execution, and he declared that they would never sell. This threw her into despair; great tears welled her eyes. Of what use was she? It was a grief and a humiliation to be good for nothing. And the servant was obliged to console her, saying that no doubt all women were not born for work; that some grew like the flowers in the gardens, for the sake