France -- Social life and customs -- 19th century -- Fiction
Here he gasped for breath and his eyes closed. After a moment he opened
them again, while his hands groped about, seeking his work, no doubt.
They encountered the genealogical tree in the midst of other papers
scattered about. Only two days before he had corrected some dates in
it. He recognized it, and drawing it toward him, spread it out.
“Master, master! you will kill yourself!” cried Ramond, overcome with
pity and admiration at this extraordinary spectacle.
Pascal did not listen, did not hear. He felt a pencil under his
fingers. He took it and bent over the tree, as if his dying eyes no
longer saw. The name of Maxime arrested his attention, and he wrote:
“Died of ataxia in 1873,” in the certainty that his nephew would not
live through the year. Then Clotilde’s name, beside it, struck him and
he completed the note thus: “Has a son, by her Uncle Pascal, in 1874.”
But it was his own name that he sought wearily and confusedly. When he
at last found it his hand grew firmer, and he finished his note, in
upright and bold characters: “Died of heart disease, November 7, 1873.”
This was the supreme effort, the rattle in his throat increased,
everything was fading into nothingness, when he perceived the blank
leaf above Clotilde’s name. His vision grew dark, his fingers could no
longer hold the pencil, but he was still able to add, in unsteady
letters, into which passed the tortured tenderness, the wild disorder
of his poor heart: “The unknown child, to be born in 1874. What will it
be?” Then he swooned, and Martine and Ramond with difficulty carried
him back to bed.
The third attack came on about four o’clock. In this last access of
suffocation Pascal’s countenance expressed excruciating suffering.
Death was to be very painful; he must endure to the end his martyrdom,
as a man and a scientist. His wandering gaze still seemed to seek the
clock, to ascertain the hour. And Ramond, seeing his lips move, bent
down and placed his ear to the mouth of the dying man. The latter, in
effect, was stammering some vague words, so faint that they scarcely
rose above a breath:
“Four o’clock—the heart is stopping; no more red blood in the aorta—the
valve relaxes and bursts.”
A dreadful spasm shook him; his breathing grew fainter.
“Its progress is too rapid. Do not leave me; the key is under the
pillow—Clotilde, Clotilde—”
At the foot of the bed Martine was kneeling, choked with sobs. She saw
well that monsieur was dying. She had not dared to go for a priest
notwithstanding her great desire to do so; and she was herself reciting
the prayers for the dying; she prayed ardently that God would pardon
monsieur, and that monsieur might go straight to Paradise.
Pascal was dying. His face was quite blue. After a few seconds of
immobility, he tried to breathe: he put out his lips, opened his poor
mouth, like a little bird opening its beak to get a last mouthful of
air. And he was dead.
XIII.
Public-domain text, read in full here on John Shaqi.
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