France -- Social life and customs -- 19th century -- Fiction
Clotilde sat down again beside the table. She took him on her lap, but
he was not very good, crying louder and louder, growing more and more
impatient; and she looked at him with a smile while she unfastened her
dress, showing her round, slender throat. Already the child knew, and
raising himself he felt with his lips for the breast. When she placed
it in his mouth he gave a little grunt of satisfaction; he threw
himself upon her with the fine, voracious appetite of a young gentleman
who was determined to live. At first he had clutched the breast with
his little free hand, as if to show that it was his, to defend it and
to guard it. Then, in the joy of the warm stream that filled his throat
he raised his little arm straight up, like a flag. And Clotilde kept
her unconscious smile, seeing him so healthy, so rosy, and so plump,
thriving so well on the nourishment he drew from her. During the first
few weeks she had suffered from a fissure, and even now her breast was
sensitive; but she smiled, notwithstanding, with that peaceful look
which mothers wear, happy in giving their milk as they would give their
blood.
When she had unfastened her dress, showing her bare throat and breast,
in the solitude and silence of the study, another of her mysteries, one
of her sweetest and most hidden secrets, was revealed at the same
time—the slender necklace with the seven pearls, the seven fine, milky
stars which the master had put around her neck on a day of misery, in
his mania for giving. Since it had been there no one else had seen it.
It seemed as if she guarded it with as much modesty as if it were a
part of her flesh, so simple, so pure, so childlike. And all the time
the child was nursing she alone looked at it in a dreamy reverie, moved
by the tender memory of the kisses whose warm perfume it still seemed
to keep.
Public-domain text, read in full here on John Shaqi.
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