France -- Social life and customs -- 19th century -- Fiction
“And as I have already said, everything is here. You see in direct
heredity, the differentiations, that of the mother, Silvère, Lisa,
Désirée, Jacques, Louiset, yourself; that of the father, Sidonie,
François, Gervaise, Octave, Jacques, Louis. Then there are the three
cases of crossing: by conjugation, Ursule, Aristide, Anna, Victor; by
dissemination, Maxime, Serge, Étienne; by fusion, Antoine, Eugène,
Claude. I even noted a fourth case, a very remarkable one, an even
cross, Pierre and Pauline; and varieties are established, the
differentiation of the mother, for example, often accords with the
physical resemblance of the father; or, it is the contrary which takes
place, so that, in the crossing, the physical and mental predominance
remains with one parent or the other, according to circumstances. Then
here is indirect heredity, that of the collateral branches. I have but
one well established example of this, the striking personal resemblance
of Octave Mouret to his uncle Eugène Rougon. I have also but one
example of transmission by influence, Anna, the daughter of Gervaise
and Coupeau, who bore a striking resemblance, especially in her
childhood, to Lantier, her mother’s first lover. But what I am very
rich in is in examples of reversion to the original stock—the three
finest cases, Marthe, Jeanne, and Charles, resembling Aunt Dide; the
resemblance thus passing over one, two, and three generations. This is
certainly exceptional, for I scarcely believe in atavism; it seems to
me that the new elements brought by the partners, accidents, and the
infinite variety of crossings must rapidly efface particular
characteristics, so as to bring back the individual to the general
type. And there remains variation—Hélène, Jean, Angelique. This is the
combination, the chemical mixture in which the physical and mental
characteristics of the parents are blended, without any of their traits
seeming to reappear in the new being.”
There was silence for a moment. Clotilde had listened to him with
profound attention, wishing to understand. And he remained absorbed in
thought, his eyes still fixed on the tree, in the desire to judge his
work impartially. He then continued in a low tone, as if speaking to
himself:
Public-domain text, read in full here on John Shaqi.
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