Resolved not to be deceived about the match picture on the other side,
and after an attentive scrutiny, I determined that it is either a female
rag-picker with a scoop-shovel, or a Virginia wench with a hoe-cake in
her hand; and I made up my mind that any one disposed to heathenism
might safely worship the same, and transgress no scriptural command, for
it certainly is a likeness of "nothing in the heavens above, the earth
beneath, or the waters under the earth." Many other barbaric attempts at
ornamentation claimed my attention, and would have received particular
notice, had I not perceived by the stir in front of the stage that the
performance was about to commence.
The multitudinous orchestra came out in a crowd--the big fiddle man took
the emerald epidermis from off his high-shouldered instrument, and after
a half hour preparatory tuning, and forty-one pages of excruciating
overture, the little bell _didn't_ ring (they never ring a bell at this
aristocratic establishment--it smacks of the kitchen), but with a
creaking of pulleys, a trampling of feet, a rattling of ropes, and a
noise like a full-grown thunderstorm, the curtain went up.
Magnificent forest scene--two blue-looking trees on one side--a green
baize carpet to represent grass--blue calico borders over head to
suggest sky--a bower so low the hero thrice knocked his hat off going
under to see his "lady love," and a mossy bank in one corner, made of
canvass, stretched over a basswood plank, and painted mud color.
Audience all silent, waiting the coming of the "Evening Star," the
lovelorn heroine of the piece--at length she comes--with a hop, step,
and a jump, she blushingly alights in the middle of the
stage--applause--she teeters--cheering--she teeters lower yet--prolonged
clapping of hands--bouquet hits her on the head; she picks it up and
teeters lower still--a dozen or so more fall at her feet, or are
scattered indiscriminately over the fiddlers and the boys in the front
row--somebody throws a laurel wreath--she again teeters to the very
earth, so low that I think she will have to sit flat down and pick
herself up by degrees at her leisure, but she ultimately comes up all
right.
Melodramatic villain comes on with a black dress, and a blacker scowl on
his intellectual visage--has some hard words with the heroine--she calls
him a "cowardly wretch," a "vile _thing_," defies him to his teeth,
tells him to do his worst, and finishes in an exhausted mutter, in which
I could only distinguish disconnected words, such as "poison,"
"vengeance," "heaven," "justice," "blood," "true-love," and "death."
Public-domain text, read in full here on John Shaqi.
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