A place where they announce a grand "benefit" five nights in the week,
for the purpose of cutting off the free-list, on which occasions the
performance lasts till the afternoon of the next day.
Where the newsboys congregate to see the play, and stimulate, with their
discriminating plaudits, the "star" of the evening.
For this is the spawning-ground of theatrical luminaries unheard-of in
other spheres; men who having so far succeeded in extravagant
buffoonery, or in that peculiar kind of serious playing which may be
termed mad-dog tragedy, as to win the favor of this audience, forthwith
claim celestial honors, and set up as "stars."
And a star benefit-night at this establishment is a treat; the
beneficiary feasts the whole company after the performance, and they
hurry up their work as fast as possible so as to begin their
jollification at the nearest tavern; they have a preliminary good time
behind the scenes with such viands and potables as admit of hurried
consumption.
So that while the curtain is down, Lady Macbeth and the witches may be
seen together drinking strong-beer, and devouring crackers and cheese;
and after Macbeth has murdered Duncan, and Macduff has finished Macbeth,
they all three take a "whisky skin," and agree to go fishing next
Sunday.
The "Stranger" plays a pathetic scene, rushes from the stage in a
passion of tears, and is discovered the next minute eating ham
sandwiches and drinking Scotch ale out of the bottle--or Hamlet, after
his suicidal soliloquy, steps off, and, as the curtain descends upon the
act, dances a hornpipe with a ballet-girl, while the Ghost whistles the
tune and beats time with an oyster-knife.
But the Bowery audiences are, in their own fashion, critical, and will
have everything, before the curtain, done to suit their taste.
An actor must do his utmost, and make things ring again; and woe be to
him who dares, in a ferocious struggle, a bloody combat, or a violent
death, to abate one single yell, to leave out one bitter curse, or omit
the tithe of a customary contortion. He will surely rue his presumption,
for many a combatant has been forced to renew an easily won broadsword
combat, adding fiercer blows, and harder stamps--and many a performer
who has died too comfortably, and too much at his ease to suit his
exacting audience, has been obliged to do it all over again, with the
addition of extra jerks, writhings, flounderings, and high-pressure
spasms, until he has "died the death" set down for him.
An actress, to be popular at this theatre, must be willing to play any
part, from Lady Macbeth to Betsey Baker--sing a song, dance a jig,
swallow a sword, ride a bare-backed horse, fight with guns, lances,
pistols, broadswords, and single-sticks--walk the tight-rope, balance a
ladder on her nose, stand on her head, and even throw a back-summerset.
She must upon occasion play male parts, wear pantaloons, smoke cigars,
swear, swagger, and drink raw whiskey without making faces.
Public-domain text, read in full here on John Shaqi.
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