One cannot be quite certain as to the derivation of the Italian
Greyhound. Its physical appearance naturally suggests a descent from
the Gazehound of the ancients, with the added conjecture that it was
purposely dwarfed for the convenience of being nursed in the lap.
Greek art presents many examples of a very small dog of Greyhound
type, and there is a probability that the diminutive breed was a
familiar ornament in the atrium of most Roman villas. In Pompeii a
dwarfed Greyhound was certainly kept as a domestic pet, and there is
therefore some justification for the belief that the Italian prefix is
not misplaced.
In very early times the Italian Greyhound was appreciated. Vandyck,
Kneller, and Watteau frequently introduced the graceful figures of
these dogs as accessories in their portraits of the Court beauties of
their times, and many such portraits may be noticed in the galleries
of Windsor Castle and Hampton Court. Mary, Queen of Scots is supposed
to have been fond of the breed, as more surely were Charles I. and
Queen Anne. Some of the best of their kind were in the possession of
Queen Victoria at Windsor and Balmoral, where Sir Edwin Landseer
transferred their graceful forms to canvas.
Among the more prominent owners of the present time are the Baroness
Campbell von Laurentz, whose Rosemead Laura and Una are of superlative
merit alike in outline, colour, style, length of head, and grace of
action; Mrs. Florence Scarlett, whose Svelta, Saltarello, and Sola are
almost equally perfect; Mrs. Matthews, the owner of Ch. Signor, our
smallest and most elegant show dog; and Mr. Charlwood, who has
exhibited many admirable specimens, among them Sussex Queen and Sussex
Princess.
The Italian Greyhound Club of England has drawn up the following
standard and scale of points:--
* * * * *
GENERAL APPEARANCE--A miniature English Greyhound, more slender in all
proportions, and of ideal elegance and grace in shape, symmetry, and
action. HEAD--Skull long, flat and narrow. Muzzle very fine. Nose dark
in colour. Ears rose shaped, placed well back, soft and delicate, and
should touch or nearly touch behind the head. Eyes large, bright, and
full of expression. BODY--Neck long and gracefully arched. Shoulders
long and sloping. Back curved and drooping at the quarters. LEGS AND
FEET--Fore-legs straight, well set under the shoulder; fine pasterns;
small delicate bone. Hind-legs, hocks well let down; thighs muscular.
Feet long--hare foot. TAIL, COAT AND COLOUR--Tail rather long and with
low carriage. Skin fine and supple. Hair thin and glossy like satin.
Preferably self-coloured. The colour most prized is golden fawn, but
all shades of fawn--red, mouse, cream and white--are recognised.
Blacks, brindles and pied are considered less desirable. ACTION--High
stepping and free. WEIGHT--Two classes, one of 8 lb. and under, the
other over 8 lb.
* * * * *
Public-domain text, read in full here on John Shaqi.
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